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Topics

Monarchy and aristocracy

  • Summary
Queen Elizabeth I
Image credit: National Portrait Gallery, London

Queen Elizabeth I

George Gower (c.1540–1596) (formerly attributed to)

National Portrait Gallery, London

In previous centuries the power and wealth of monarchs, emperors and other supreme rulers gave them enormous influence over the employment of artists and changes in artistic taste and style. Understandably their portraits are the largest and grandest, and their palaces are the most richly decorated with expensive paintings. In Britain, Charles I bought Europe’s most talented artists, such as Rubens and Van Dyck, to paint in Britain, transforming the nation’s art with his collection. Queen Victoria, on the other hand, tried to set a more modest example.


Read more

The aristocracy and landed gentry generally followed the taste of their social superiors, with large houses and large paintings by fashionable artists who would show them as they wished to be seen.

Artworks

  • Archduke Albert of Austria
    Archduke Albert of Austria Peter Paul Rubens (1577–1640) (after)
    National Trust for Scotland, Brodick Castle, Garden & Country Park
  • Leicester and Amy Robsart at Cumnor Hall
    Leicester and Amy Robsart at Cumnor Hall Edward Matthew Ward (1816–1879)
    Southampton City Art Gallery
  • James I (1566–1625), Uniting England and Scotland
    James I (1566–1625), Uniting England and Scotland Peter Paul Rubens (1577–1640)
    Birmingham Museums Trust
  • Portrait of Thomas Howard, 2nd Earl of Arundel
    Portrait of Thomas Howard, 2nd Earl of Arundel Peter Paul Rubens (1577–1640)
    The National Gallery, London
  • Elizabeth
    Elizabeth William D. Dring (1904–1990)
    Southampton City Art Gallery
  • Queen Elizabeth I
    Queen Elizabeth I George Gower (c.1540–1596) (formerly attributed to)
    National Portrait Gallery, London
  • Marie de' Medici (1575–1642)
    Marie de' Medici (1575–1642) Peter Paul Rubens (1577–1640) (after)
    Temple Newsam House, Leeds Museums and Galleries
  • 1,730 more

Stories

  • My lady, the king's mother: images of Margaret Beaufort

    Alison Weir

  • Portraits of the Queen: Elizabeth II in paintings

    Desmond Shawe-Taylor

  • Pink! A very Rococo colour

    Tegan Huskinson

  • Portraying a national hero: the Duke of Wellington in art

    Gary Haines

  • Hardwick Hall
    The life and legacy of Bess of Hardwick

    Evie Nicholson

  • Louis Auguste Malempré (c.1820–1888) and Richard Claude Belt (1851–1920), St Paul's Churchyard, City of London
    The statue of Queen Anne 'with her face to the gin-shop, and her back to the church'!

    Anthony McIntosh

  • Anne Boleyn through the centuries: a woman for all seasons?

    Estelle Paranque

  • Princess to queen to guillotine: the tragic fate of Marie Antoinette

    Estelle Paranque

  • From flattering royalty to 'warts and all': selected highlights of Sir Peter Lely's works

    Lydia Figes

  • Funerals, processions, lying-in-state: depicting grief in art

    Andrew Shore

  • Gustav Pope's 'The Music Room': discovering a portrait of three princesses

    César Guerra-Acevedo

  • Elizabeth II: a queen in the spotlight

    Flora Doble

  • Six wives or six victims? Henry VIII's unusual marital arrangements

    Estelle Paranque

  • Henrietta Maria of France, Charles I's queen

    Estelle Paranque

  • Barbara Villiers: Charles II's mistress and 'curse of the nation'

    Chloe Esslemont

  • Catherine of Braganza: the lost Stuart queen

    Eilish Gregory

  • The Tudor dynasty and the pursuit for an heir

    Estelle Paranque

  • Sir Sampson Gideon
    Decoding the Grand Tour portraits of Pompeo Batoni

    Lydia Figes

  • Georgiana in Manchester: Lady de Tabley and her portrait

    Sarah Webb

  • Catherine Parr: more than a survivor

    Estelle Paranque

  • npg-npg-6187-herocrop-1.jpg
    Queen Anne: the warrior queen who defied the Sun King

    Estelle Paranque

  • Man of service or evil mastermind? The complex legacy of Thomas Cromwell

    Estelle Paranque

  • Mary of Modena: patron of the arts and champion of female creativity

    Breeze Barrington

  • Getting above your station: defying social class in art history

    Jon Sleigh

  • A man's world: the evolution of the Kit-Cat gentlemen's club

    Kate Retford

  • A court in exile: the story of the Jacobites and the art that shaped their cause

    Jérémy Filet

  • Contested titles: depicting the Princes and Princesses of Wales

    Fern Insh

  • Mary Tudor: a reassessment of 'Bloody Mary'

    Estelle Paranque

  • In turbulent times: William Dobson's portrait of John Byron, 1st Lord Byron, at Tabley House

    Emma Giblin

  • 1924, painting by Philip Alexius de László (1869–1937)
    Philip de László: master of elegance

    Katherine Field

  • Marcus Gheeraerts the younger's 'Frances Howard, Duchess of Richmond and Lennox' at Compton Verney

    Andrew Graham-Dixon

  • Lord and Lady Belhaven and the mystery of their double portrait

    Cameron Webster

  • Androgynous beauty: Henry Wriothesley's performance of masculinity

    Alice Blow

  • Henry Howard, Earl of Surrey
    'Artist at work': Holbein's drawings of the Tudor Court

    Kate Heard

  • Myth and mystery: the Mary, Queen of Scots memorial portrait

    Caitlin Jamison

  • Classical beauty to expressive wisdom: the changing image of Queen Victoria

    Barbara Pezzini

  • Anthony van Dyck: Flemish Baroque master

    Lydia Figes

  • Violet Manners: aristocrat and portraitist to 'The Souls'

    Kirsty Stonell Walker

  • Mary, Queen of Scots in art and literature

    Estelle Paranque

  • Queen Anne in 'The Favourite': gout, scandal and sabotage

    Lydia Figes

  • Philip Alexius de László: a Hungarian artist in London

    Katherine Field

  • The most painted royal in history? Queen Victoria in portraits

    Lydia Figes

  • The works of Edmond Brock at Mount Stewart

    John Sankey

  • Elizabeth I's Tilbury speech: the birth of a warrior queen

    Estelle Paranque

  • Who was Napoleon Bonaparte? Picturing the military leader

    Gary Haines

  • Catherine II the Legislatress in the Temple of the Goddess of Justice
    Catherine the Great: sex, slander and absolute power

    Lydia Figes

  • Oliver Cromwell
    Charles I and Cromwell at Compton Verney

    Steven Parissien

  • Royal fashion: the Hanoverian kings

    Sally Tuckett

  • Jeanne-Antoinette Poisson, Marquise de Pompadour
    Madame de Pompadour: Rococo style icon

    Chloe Esslemont

  • Peter Paul Rubens' 'Emperor Otho'

    Madeleine Grout

  • Ruffs, lace and cravats: the power at play in men's neckwear

    Jon Sleigh

  • The real George Villiers: social climber, art patron and favourite to King James

    Gavia Baker-Whitelaw

  • Scottish independence: Scotland's national identity in art before the Act of Union

    Fern Insh

  • Grand tourists: British women as overlooked connoisseurs of Baroque Neapolitan art

    Alessia Attanasio

  • John Lavery: the Belfast-born 'Glasgow Boy'

    Alison Mitchelson and Joanna Meacock

  • Acts of mercy: painting Christian charity

    William Schupbach

  • Godfried Schalcken's 'William III (1650–1702), by Candlelight'

    Edward Bettella

  • Collection in focus: National Trust, Gunby Hall

    Angharad Jones

  • Tastemakers: these powerful female art patrons were the original influencers

    Melissa Baksh

  • Pompeo Batoni's portrait of John Talbot

    Edgar Peters Bowron

  • Uncovering paintings of Europe's monarchs of colour

    Ferren Gipson

  • A peer's patronage of British art: the collection at Tabley House

    Anna Bates Patel

  • Ambassadors and spymasters: the art of diplomacy

    Estelle Paranque

  • The visible invisibility of Black people in aristocratic portraiture

    Marjorie H. Morgan

  • Ambassadorial receptions: the diplomatic art of maintaining good relations

    Estelle Paranque

  • Catherine de' Medici: France's 'Black Queen' in the spotlight

    Estelle Paranque

  • A Brighton local hero: portrait of Martha Gunn

    Emma Drew

  • Eric Ravilious, tennis and Englishness

    Samuel Love

  • Allan Ramsay's 'Queen Charlotte Sophia'

    Georgy Kantor

  • Painting Prince William and Prince Harry: an interview with artist Nicky Philipps

    Nicky Philipps

  • Remember, remember the 5th of November

    Corinna Lotz

  • A case of mistaken identity: the lady in a Lamport Hall Van Dyck

    Lauren Colley

  • History, myth and portraiture: Angelica Kauffmann's neoclassicism in Britain

    Tania Adams

  • Beyond the pale: blushing and whiteness in eighteenth-century portraits of women

    Janet Couloute

  • Henry Raeburn: portraitist of the Scottish Enlightenment

    Stephen Lloyd

  • William Hogarth's 'Francis Matthew Schutz in His Bed'

    Giorgia Bottinelli

  • Conversation pieces, an actor and a cock fight: four famous paintings by Johann Zoffany

    Adam Jackman

  • Rebel with a cause: Catharine Macaulay, England's first female historian

    John Bonehill

  • From poverty to painter's muse: the remarkable life of Emma Hamilton

    Kate Williams

  • From doublets to vests: how Charles II changed men's fashion

    Edward Bettella

  • Write on Art: 'The Execution of Lady Jane Grey' by Paul Delaroche

    Matilda Jones

  • Hans Holbein's 'A Lady with a Squirrel and a Starling (Anne Lovell?)'

    Susan Foister

  • Still from HENI Talk's film on Trafalgar Square's equestrian statue of Charles I
    How a statue of Charles I was restored and resurrected in Trafalgar Square

    Timothy Revell and HENI Talks

  • A rare survival from the Tudor period: 'Cornelia Burch, Aged Two Months'

    Sonia Roe

  • Gloriana and the Virgin Queen: portraits of Elizabeth I

    Rosanna Lawton

  • Summer beach hat design: red flowers on white straw
    A celebration of women's hats in art

    Lou Taylor

Learning resources

  • armada-preview-1.jpg
    Audio
    Audio description of 'Elizabeth I (1533–1603)' (the 'Armada Portrait')
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      ASN (SCO)
      SEND (NI)
      SEND (WAL)
  • NMM_NMMG_ZBA7719-001.jpg
    Lesson plan
    The Superpower of Looking: Queen Elizabeth I and the Spanish Armada
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • ng-ng-ng1314-001-1.jpg
    Lesson plan
    The Superpower of Looking: Holbein paints two visitors to the Tudor court
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • wlhrhpe-thumbnail-1.png
    3D object
    William Lamb's 'HRH The Princess Elizabeth'
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)
  • aifhl-souvenir-1.jpg
    Lesson plan
    Artist in focus: Hew Locke
    • KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • jv-ambassadors-3-1.png
    Video
    The Superpower of Looking with Jessica Voorsanger
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
  • WMRII_RCMU_PPHC000327-001.jpg
    Audio
    Audio description of 'Edward, Prince of Wales' by Victor Gleichen
    • KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
  • ng-ng-ng1314-001-1.jpg
    Audio
    Audio description of 'The Ambassadors' by Hans Holbein the Younger
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)
  • screenshot-2022-10-31-at-11-55-43-3-1.jpg
    Video
    Sculpture in focus: 'Writ in Water' by Mark Wallinger
    • KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • E14_CRH_S130-015.jpg
    Lesson plan
    Animate public sculpture
    • KS2 (NI)
      KS2 (ENG)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).