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Topics

Holidays and travel

  • Summary
Bank Holiday, Hampstead
Image credit: Camden Local Studies and Archives Centre

Bank Holiday, Hampstead

Evelyn Grace Ince (1886–1941)

Camden Local Studies and Archives Centre

In previous centuries the labouring classes were only spared work on saints’ days (‘holy days’). For the upper classes, however, foreign travel was an important part of their education. The Grand Tour, most fashionable in the eighteenth century, enabled them to build up art collections and encouraged a flourishing market in portrait and view painting, especially in Italy. The impact on British collections is immeasurable.


Read more

In the nineteenth century, growing prosperity and the railways allowed more people to travel and explore their own country. Railway posters illustrated the attractions of seaside and country villages and new holiday resorts. In the later twentieth century, cheap air travel made foreign holidays commonplace. Artists at home and abroad benefitted from these growing markets.

Artworks

  • View of the Thames
    View of the Thames British (English) School
    Compton Verney
  • Yport, Normandy
    Yport, Normandy Charles Conder (1868–1909)
    York Art Gallery
  • Winter, Leigh Beach
    Winter, Leigh Beach Anthony Farrell (b.1945)
    Arts Council Collection, Southbank Centre
  • The Kestrel
    The Kestrel David James Woodford (b.1938)
    Arts Council Collection, Southbank Centre
  • Christmas Eve, Highcross Market, Leicester, Sixteenth Century
    Christmas Eve, Highcross Market, Leicester, Sixteenth Century Henry Reynolds Steer (1858–1928)
    Leicester Museum & Art Gallery
  • From Afar
    From Afar Joseph Baker Fountain (1907–1992)
    The Mercer Art Gallery, Harrogate
  • Portrait of an Unknown Woman
    Portrait of an Unknown Woman Maureen Baird (b.1931)
    University of Aberdeen
  • 454 more

Stories

  • Paintings at the far reaches of the UK

    Katey Goodwin

  • The colourful life of James McBey: from Scotland to Morocco

    Susan Mansfield

  • Álora, Andalucía: David Bomberg and Lilian Holt in Spain

    Edward Richards

  • Georges Clark's 'Back of Keppoch'

    Fiona Bowman

  • Colour and memory in the work of Howard Hodgkin

    Simon Coates

  • Portugal through the eyes of modern British artists

    Robert Wilkes

  • Eugène Manet on the Isle of Wight
    Berthe Morisot: the French Impressionist's English holiday

    Lois Oliver

  • The artistic ambitions of Edward Lear

    Chris Mugan

  • Art Matters podcast: the art of twentieth-century British railway posters

    Ferren Gipson

  • St Mark's, Venice
    Finding La Serenissima: Charles H. Mackie in Venice

    Helen Scott

  • Painting the world: British artists abroad

    Jonathan Hajdamach

  • That marvellous atmosphere: Stanley Spencer and Cookham Regatta

    Amy Lim

  • John Gibson and Penry Williams: queer Welsh artists in Rome

    Norena Shopland

  • Myrtle Florence Broome: artist and Egyptologist

    Flora Doble

  • The Tomb of the Diver (detail from the underside of the top slab of the grave)
    Wild waters: a life aquatic in art

    Paul Bonaventura

  • Splash! A deep dive into swimming pools and lidos in art

    Victoria Rodrigues O'Donnell

  • Sir Sampson Gideon
    Decoding the Grand Tour portraits of Pompeo Batoni

    Lydia Figes

  • Five must-see works in 'Annie Swynnerton: Painting Light and Hope'

    Rebecca Milner

  • The British seaside – from Turner to Nash to Emin

    Amah-Rose McKnight-Abrams

  • Collection in focus: Government Art Collection

    Adam Jackman

  • Golders Green
    Art Matters podcast: poster designs for the London Underground

    Ferren Gipson

  • Grand tourists: British women as overlooked connoisseurs of Baroque Neapolitan art

    Alessia Attanasio

  • Noelle Sandwith: from Carshalton to the Pacific

    Kim Fleming

  • Pompeo Batoni's portrait of John Talbot

    Edgar Peters Bowron

  • Michael Palin on Sickert's 'The Red Shop (The October Sun)'

    Michael Palin

  • Derwent Lees: 'the most modern of the Modernists'

    Richard Morris

  • Brenda Chamberlain: painting in isolation

    Maggie Gray


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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).