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Topics

Interiors

  • Summary
An Antique Interior at West Hill House, Hastings
Image credit: Walker Art Gallery

An Antique Interior at West Hill House, Hastings

William Collingwood (1819–1903)

Walker Art Gallery

In early religious and Renaissance paintings, interiors give intimacy to the scene – and a powerful contrast between a domestic setting and a great event. Biblical and mythological stories can take place in invented interiors, or in a contemporary setting that emphasises the relevance of the story.


Interiors in portraits and paintings of everyday life can provide a wealth of information about the way of life of previous generations.

Read more
They are valuable evidence of house layouts, the furniture and decorative arts of the past and how they were used. Interiors can be decorative subjects in their own right, recorded as historical records, or carry their own hidden messages. But they may of course be rearranged to suit the artist’s intentions.

Artworks

  • At the Café Châteaudun
    At the Café Châteaudun Edgar Degas (1834–1917)
    The National Gallery, London
  • An Antique Interior at West Hill House, Hastings
    An Antique Interior at West Hill House, Hastings William Collingwood (1819–1903)
    Walker Art Gallery
  • The Rehearsal
    The Rehearsal Edgar Degas (1834–1917)
    The Burrell Collection
  • A Knitting Party
    A Knitting Party Evelyn Mary Dunbar (1906–1960)
    Imperial War Museum London
  • A Sussex Interior
    A Sussex Interior George Elgar Hicks (1824–1914)
    Southampton City Art Gallery
  • Still Life with Buddha
    Still Life with Buddha Kay Walker (1892–1966)
    Penlee House Gallery & Museum
  • Dead Game
    Dead Game Cornelis Lelienbergh (1626–1676)
    Nottingham City Museums & Galleries
  • 2,019 more

Stories

  • Stanley Cursiter: models, muses and Edinburgh interiors

    Janette Ayachi

  • Colour Schemes for the Modern Home
    Open windows

    Alex Massouras

  • The paintings of George Shaw: an unconscious foreshadowing of Britain during quarantine

    Lydia Figes

  • Born too late: John Henry Lorimer's place in Scottish art history

    Antonia Laurence Allen

  • The Camden Town Group: modernity and misogyny

    Nicola Moorby

  • Stanislawa de Karlowska: the Polish-born woman at the forefront of the British avant-garde

    Rebecca Lloyd James

  • Stay at home: artist interiors from the Royal Academy

    Helen Record

  • Clare 'Tony' Atwood: the modest musketeer

    Kay Carson

  • Who were the members of the East London Group?

    Imelda Barnard

  • Ruth Murray in her studio
    Seven questions with Ruth Murray

    Imelda Barnard

Learning resources

  • dmgallery-hero-1.jpg
    Video
    The Superpower of Looking with Denise Mina
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
  • GL_GM_24021.jpg
    Lesson plan
    The Superpower of Looking: Matisse and a pink tablecloth
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • gl-gm-24021-1.jpg
    Audio
    Audio description of 'The Pink Tablecloth' by Henri Matisse
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).