The Virgin and Child

Image credit: The National Gallery, London

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This was the central panel of a large altarpiece made for the church of Santa Maria del Carmine in Pisa. The Virgin’s sturdy form, which looks similar to contemporary Florentine sculpture, casts a shadow against the carved throne. Christ’s body seems fleshy and three-dimensional; Masaccio has done this by showing how certain areas catch the light, painting them with a lighter tone. His ability to represent holy figures as though they were human was innovative and influential.

Masaccio also used the new technique of single-point perspective, which helped to make certain objects appear closer and others further away. This is clearest in the ‘V’ shape created by the angle of the angel’s lutes.

Christ is shown eating grapes. It’s a reminder of the wine of the Eucharist, which Christians drink in remembrance of the blood Christ shed at his crucifixion, a scene of which would have sat above this image.

The National Gallery, London

London

Title

The Virgin and Child

Date

1426

Medium

Egg tempera on wood

Measurements

H 134.8 x W 73.5 cm

Accession number

NG3046

Acquisition method

Bought with a contribution from The Art Fund, 1916

Work type

Painting

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The National Gallery, London

Trafalgar Square, London, Greater London WC2N 5DN England

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