I've spent some time looking at love through the prism of paintings. It has revealed how artists throughout the ages have captured love, in its many shades, both its pleasures and its pains, as well as the very many varieties of love – from the romantic to the platonic.

Paintings are filled with the traditional symbols and imagery of love, from Cupid to hearts to red roses galore, but there are also some more unusual expressions.

From the beginnings of love to its end, artists have captured both love that is fleeting and love lasting. The first flush of love – in all its forms – graces paintings such as The Dawn of Love, First LoveHer First LoveLove at First Sight and The First Whisper of Love

The Dawn of Love

Image credit: Victoria and Albert Museum, London

The Dawn of Love 1846

Thomas Brooks (1818–1892)

Paintings Collection

First Love

Image credit: Victoria and Albert Museum, London

First Love 1838–1839

William Mulready (1786–1863)

Paintings Collection

Her First Love

Image credit: Russell-Cotes Art Gallery & Museum

Her First Love 1885

George Sheridan Knowles (1863–1931)

Russell-Cotes Art Gallery & Museum

The First Whisper of Love

Image credit: Walker Art Gallery

The First Whisper of Love c.1868–1886

George Frederic Watts (1817–1904)

Walker Art Gallery

But love, like life, can be transient – indeed so transient that one painting is called Love Lost as Soon as Won and in one Love Flies Out of the Window.

Echoing the advice to 'gather ye rosebuds while ye may' is the painting Gather the rose of love while yet tis time.

As the great artists well knew, The course of true love never runs smooth and many paintings depict love gone awry.

There is Sickly Sweet Love.

There is Love Betrayed.

Love Betrayed

Image credit: Russell-Cotes Art Gallery & Museum

Love Betrayed 1883–1884

John Roddam Spencer Stanhope (1829–1908)

Russell-Cotes Art Gallery & Museum

There is Disappointed Love.

Disappointed Love

Image credit: Victoria and Albert Museum, London

Disappointed Love 1821

Francis Danby (1793–1861)

Paintings Collection

There is Amore on the Rocks.

But there is also hope that what has been damaged may be healed, such as Lost Love Found.

In some art, against all the odds, love lasts – indeed, triumphs – such as in the uplifting sights of Love Triumphant and The Triumph of Love.

Love Triumphant

Image credit: Watts Gallery – Artists' Village

Love Triumphant 1893–1898

George Frederic Watts (1817–1904)

Watts Gallery – Artists' Village

Such is its power that love is personified in Love Steering the Boat of Humanity, by George Frederic Watts, the same artist of Love and Life and Love and Death.

Love Steering the Boat of Humanity

Image credit: Watts Gallery – Artists' Village

Love Steering the Boat of Humanity 1899–1901

George Frederic Watts (1817–1904)

Watts Gallery – Artists' Village

Love and Life

Image credit: Tate

Love and Life c.1884–5

George Frederic Watts (1817–1904)

Tate

Love and Death

Image credit: Bristol Museums, Galleries & Archives

Love and Death 1875

George Frederic Watts (1817–1904)

Bristol Museums, Galleries & Archives

Love has long been portrayed in myth and literature and many such love stories and mythical figures of love find their way into art.

Cupid has been depicted throughout the ages, from Cupid Inspiring the Plants With Love to more modern depictions, such as this Cupid (after Bronzino).

Cupid Inspiring the Plants with Love

Image credit: The Fitzwilliam Museum

Cupid Inspiring the Plants with Love

Philip Reinagle (1749–1833)

The Fitzwilliam Museum

There are paintings devoted to mythical figures such as Erato, the Muse of Lyric and Love Poetry.

Erato, the Muse of Lyric and Love Poetry

Image credit: National Trust Images

Erato, the Muse of Lyric and Love Poetry c.1800

Italian (Lombard) School (possibly)

National Trust, Anglesey Abbey

One of my favourite love myths is that of Orpheus and Eurydice. Paintings capture the story, from its beginning – such as in Orpheus: The Wooing of Eurydice – to its tragic ending.

In the story, Orpheus loses his love, Eurydice, when she is bitten by a snake. He goes to the Underworld to get her back. Orpheus' talent for making beautiful music means he is given permission to take Eurydice back to the mortal realm – as long as he walks away and does not look back. Doubting that Eurydice is following him, Orpheus turns and looks at the last minute – and so loses his love forever – as shown in Orpheus leaving Eurydice.

Orpheus Leaving Eurydice

Image credit: Music Hall Aberdeen

Orpheus Leaving Eurydice 1909

Douglas Strachan (1875–1950)

Music Hall Aberdeen

There are numerous artworks depicting the lovers Hero and Leander, and the Biblical Samson and Delilah. And of course, those most famous of star-crossed lovers: Romeo and Juliet.

Romeo and Juliet

Image credit: Southampton City Art Gallery

Romeo and Juliet 1884

Frank Bernard Dicksee (1853–1928)

Southampton City Art Gallery

Some love myths have a moral for us, such as that of Narcissus, fatally in love with his own image. He eventually wastes away, having fallen deeply in love with 'all the things for which he himself is admired'. His story is told in various paintings, such as Echo and Narcissus.

Echo and Narcissus

Image credit: Walker Art Gallery

Echo and Narcissus 1903

John William Waterhouse (1849–1917)

Walker Art Gallery

There is love all around the world, from Love on the Costa del Sol to Curacao Lovers.

There is love at great heights – Alpine Love – and love at depths – The Valley of Love, Hendon, Sunderland.

Alpine Love

Image credit: Manchester Art Gallery

Alpine Love 1930

John Albert Cooper (1894–1943)

Manchester Art Gallery

The Valley of Love, Hendon, Sunderland

Image credit: Sunderland Museum & Winter Gardens

The Valley of Love, Hendon, Sunderland

John Herring (1859–1925)

Sunderland Museum & Winter Gardens

Love also seems to make its own place, such as in the surreal Forest of Love.

Love is depicted in times of tranquility to times of chaos, from Love in Idleness to Love Among the Ruins.

Love in Idleness

Image credit: Laing Art Gallery

Love in Idleness c.1891

Lawrence Alma-Tadema (1836–1912)

Laing Art Gallery

Love Among the Ruins

Image credit: National Trust Images

Love Among the Ruins 1894

Edward Burne-Jones (1833–1898)

National Trust, Wightwick Manor

There is Love in the Mist (the name of the flower Nigella damascena) and the suggestion of place in Isn't it Romantic.

Love in the Mist

© the copyright holder. Image credit: Williamson Art Gallery & Museum

Love in the Mist

Mavis Blackburn (1923–2005)

Williamson Art Gallery & Museum

Isn't it Romantic

© the artist. Image credit: Arts Council Collection, Southbank Centre, London

Isn't it Romantic 1978

John Arthur Spence (b.1944)

Arts Council Collection, Southbank Centre

And of course, there is love In the Bedroom.

Indeed, the erotic is depicted in paintings from The Pursuit of Pleasure to Love Birds by Roberta Green, and The Lovers by Eric Seeley.

The Lovers

© the artist. Image credit: Milton Keynes Hospital NHS Foundation Trust (managed by Arts for Health – Milton Keynes)

The Lovers 1996

Eric Seeley (b.1951)

Milton Keynes Hospital NHS Foundation Trust (managed by Arts for Health – Milton Keynes)

There is not only romantic and sexual love on display but a whole array of other forms of love by turns joyful and sorrowful. There is Paternal Love.

There is Maternal Love (Sorrow) and somewhat happier, Mater et Filius.

Maternal Love (Sorrow)

Image credit: Nottingham City Museums & Galleries

Maternal Love (Sorrow) c.1857

Albertus Johan Neuhuys (1844–1914)

Nottingham City Museums & Galleries

There is Filial Love.

There is Friendship.

Friendship

Image credit: Hampshire County Council’s Fine Art Collection

Friendship

William Herbert Allen (1863–1943)

Hampshire County Council’s Fine Art Collection

There is Love among the Nations.

How to express love? There are many paintings of love letters (from Her First Love Letter to Love Letter to a Valentine's message evident in St Valentine's Morn).

Her First Love Letter

Image credit: Perth & Kinross Council

Her First Love Letter 1879

John MacLaren Barclay (1811–1886)

Perth & Kinross Council

Love Letter

Image credit: Calderdale Metropolitan Borough Council

Love Letter

Arthur Stocks (1846–1889)

Calderdale Metropolitan Borough Council

The Morning of St Valentine

Image credit: Bridgeman Images

The Morning of St Valentine 1863

John Callcott Horsley (1817–1903)

Rochdale Arts & Heritage Service

But other paintings capture the complexities of depicting this state, such as The Language of Love.

The dove has long been associated with love, as well as peace, and it flutters throughout paintings, including Emblems of Love.

Emblems of Love

Image credit: Fairfax House

Emblems of Love c.1820

James Sant (1820–1916)

Fairfax House

There is also, of course, the symbol of lovebirds such as in Girl With Lovebirds.

Girl with Lovebirds

Image credit: North Yorkshire Council

Girl with Lovebirds 1876

Henry Guillaume Schlesinger (1814–1893)

North Yorkshire Council

Animals are not only limited to being symbols of human love but love in their own right, too. One of my favourite love paintings is the bright The Capercaillie Sings His Lovesong, which depicts a bird at the piano.

There is The Lion in Love and The Love of the Red Swans.

The Lion in Love

The Lion in Love 1836

Camille Joseph Étienne Roqueplan (1800–1855)

The Wallace Collection

There is love not only of people, but of places. There is love of and in the inanimate world, too, such as in the intriguing painting, The Loves of the Plants.

So much passion is in these paintings that they reveal not only the art of love, but the love of art.

Anita Sethi, journalist, writer and critic