This exhibition was curated by OBU Art History undergraduate students. Over the course of the semester, students on the 'Curatorial Practice' module have been considering what it means to curate works of art in a modern museum or gallery setting. Topics they have engaged with include what we mean by 'curation', the responsibilities of custodial work, audiences, funding, contested heritage and the critical assessment of current exhibitions. In response, the students put together an exhibition drawing from the collections of the Oxford Centre for Methodism and Church History. This digital précis presents a selection of works displayed at the Harcourt Hill campus of Oxford Brookes University, April 2022.

9 artworks
Hugh Miller Watching for His Father's Vessel
Image credit: The Oxford Centre for Methodism and Church History

Hugh Miller Watching for His Father's Vessel 1866

James Smetham (1821–1889)

Watercolour on paper

H 40 x W 70 cm

The Oxford Centre for Methodism and Church History

Woman with a Tambourine (Irene with a Tambourine)
Image credit: The Oxford Centre for Methodism and Church History

Woman with a Tambourine (Irene with a Tambourine) c.1864–1868

James Smetham (1821–1889)

Oil on canvas

H 14 x W 14.1 cm

The Oxford Centre for Methodism and Church History

The Beloved ('The Bride')
Image credit: Tate

The Beloved ('The Bride') 1865–6

Dante Gabriel Rossetti (1828–1882)

Oil on canvas

H 82.5 x W 76.2 cm

Tate

Lord_of_the_Sabbath_jpg
Image credit: Oxford Brookes University

The Lord of the Sabbath

James Smetham, etching on paper (1861)

The_Death_of_Earl_Siward_jpg
Image credit: Oxford Brookes University

The Death of Earl Siward

James Smetham, etching on paper (1861)

Reverend Thomas Birch Freeman (1809–1890)
© by permission of the Trustees for Methodist Church Purposes. Image credit: The Oxford Centre for Methodism and Church History

Reverend Thomas Birch Freeman (1809–1890) 1975

David Grice (b.1922)

Oil on canvas

H 76 x W 63.5 cm

The Oxford Centre for Methodism and Church History

Pounding Rice
© the copyright holder. Image credit: The Oxford Centre for Methodism and Church History

Pounding Rice 1923–1951

Agatha Gay Hellier (1897–1980)

Watercolour on paper

H 32 x W 25 cm

The Oxford Centre for Methodism and Church History

Mary Taft (1772–1851)
Image credit: The Oxford Centre for Methodism and Church History

Mary Taft (1772–1851)

John Jackson (1778–1831) (after)

Oil on canvas

H 47.5 x W 34.5 cm

The Oxford Centre for Methodism and Church History

Sketch for 'Miss Dora Cohen'
© the artist's estate / Bridgeman Images. Image credit: Oxford Brookes University Special Collections and Archives

Sketch for 'Miss Dora Cohen' 1958

John Stanton Ward (1917–2007)

Oxford Brookes University Special Collections and Archives

Preparatory Sketch, 'Alpha and Omega'
© the artist's estate. Image credit: Oxford Brookes University Special Collections and Archives

Preparatory Sketch, 'Alpha and Omega' 1958

Evelyn Mary Dunbar (1906–1960)

Ink on paper

Oxford Brookes University Special Collections and Archives

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Image credit: Oxford Brookes University

Sketchbook, Alec Dunbar

Evelyn Dunbar, sketchbook (c1940s)

Effect of Cyclone Flora on Bainet, Haiti
© the copyright holder. Image credit: The Oxford Centre for Methodism and Church History

Effect of Cyclone Flora on Bainet, Haiti 1963

Edgar Jean-Baptiste (active 1960s)

Oil on board

H 71.4 x W 96.5 cm

The Oxford Centre for Methodism and Church History

DSC_1968_copy_jpg
Image credit: Oxford Brookes University

Flora

James Smetham, watercolour (19th cent.)