- Artist: Tiepolo, Giovanni Domenico, 1727–1804 Remove
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Saint Leo in Glory 1783–1784 Giovanni Domenico Tiepolo (1727–1804)Saint Leo in Glory 1783–1784 Victoria and Albert Museum
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Christ and the Woman Taken in Adultery 1780 Giovanni Domenico Tiepolo (1727–1804)Christ and the Woman Taken in Adultery 1780 National Museum Cardiff
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Christ at the Pool of Bethesda 1780 Giovanni Domenico Tiepolo (1727–1804)Christ at the Pool of Bethesda 1780 National Museum Cardiff
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Christ feeding the Multitude 1785 - 1800 Giovanni Domenico Tiepolo (1727–1804)Christ feeding the Multitude 1785 - 1800 Ashmolean Museum, Oxford
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Landscape with a dog and a farm cart 1790 - 1804 Giovanni Domenico Tiepolo (1727–1804)Landscape with a dog and a farm cart 1790 - 1804 Ashmolean Museum, Oxford
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Cupid with a group of putti Giovanni Domenico Tiepolo (1727–1804)Cupid with a group of putti The Fitzwilliam Museum
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Two donkeys and a goat in a landscape Giovanni Domenico Tiepolo (1727–1804)Two donkeys and a goat in a landscape The Fitzwilliam Museum
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Study of three male nudes, seated on clouds; seen foreshortened Giovanni Domenico Tiepolo (1727–1804)Study of three male nudes, seated on clouds; seen foreshortened The Fitzwilliam Museum
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God the Father in the Clouds Giovanni Domenico Tiepolo (1727–1804)God the Father in the Clouds The Fitzwilliam Museum
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A crowd of Orientals (full-length) Giovanni Domenico Tiepolo (1727–1804)A crowd of Orientals (full-length) The Fitzwilliam Museum
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Portrait of Niccolò Machiavelli (1469-1527) 1747 - 1780 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Piazzetta (1683–1754)Portrait of Niccolò Machiavelli (1469-1527) 1747 - 1780 Ashmolean Museum, Oxford
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The Election of the first Doge of Venice at Heraclea 1795 Giovanni Domenico Tiepolo (1727–1804)The Election of the first Doge of Venice at Heraclea 1795 Ashmolean Museum, Oxford
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Studies of a dog 1750 - 1753 Giovanni Domenico Tiepolo (1727–1804)Studies of a dog 1750 - 1753 Ashmolean Museum, Oxford
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Fighting dogs 1770 - 1800 Giovanni Domenico Tiepolo (1727–1804)Fighting dogs 1770 - 1800 Ashmolean Museum, Oxford
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Reclining female figure, seated on clouds, holding a jar Giovanni Domenico Tiepolo (1727–1804)Reclining female figure, seated on clouds, holding a jar The Fitzwilliam Museum
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The Coronation of the Virgin 1754 - 1760 Giovanni Domenico Tiepolo (1727–1804)The Coronation of the Virgin 1754 - 1760 Ashmolean Museum, Oxford
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Farmyard scene: a shed with a thatched roof 1754 - 1761 Giovanni Domenico Tiepolo (1727–1804)Farmyard scene: a shed with a thatched roof 1754 - 1761 Ashmolean Museum, Oxford
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Hercules and Antaeus 1770 - 1790 Giovanni Domenico Tiepolo (1727–1804)Hercules and Antaeus 1770 - 1790 Ashmolean Museum, Oxford
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The Baptism of Christ 1770 - 1790 Giovanni Domenico Tiepolo (1727–1804)The Baptism of Christ 1770 - 1790 Ashmolean Museum, Oxford
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A Minuet Danced in a Ballroom 1790 - 1804 Giovanni Domenico Tiepolo (1727–1804)A Minuet Danced in a Ballroom 1790 - 1804 Ashmolean Museum, Oxford
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Angelica and Medoro 1760 - 1780 Giovanni Domenico Tiepolo (1727–1804)Angelica and Medoro 1760 - 1780 Ashmolean Museum, Oxford
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Recto: Two reclining figures Verso: Sketch of a man wearing a turban 1745 - 1747 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)Recto: Two reclining figures Verso: Sketch of a man wearing a turban 1745 - 1747 Ashmolean Museum, Oxford
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St. Paul Preaching Giovanni Domenico Tiepolo (1727–1804)St. Paul Preaching The Fitzwilliam Museum
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A crouching man, seen from behind Giovanni Domenico Tiepolo (1727–1804)A crouching man, seen from behind The Fitzwilliam Museum
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A crowd of Orientals (full-length) Giovanni Domenico Tiepolo (1727–1804)A crowd of Orientals (full-length) The Fitzwilliam Museum
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drawing 1790 - 1804 Giovanni Domenico Tiepolo (1727–1804)drawing 1790 - 1804 Ashmolean Museum, Oxford
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A young woman with a macaw 1759 - 1761 Giovanni Battista Tiepolo (1696–1770) and Giovanni Domenico Tiepolo (1727–1804)A young woman with a macaw 1759 - 1761 Ashmolean Museum, Oxford
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A bull attacking a satyr and a centaur 1750 - 1780 Giovanni Domenico Tiepolo (1727–1804)A bull attacking a satyr and a centaur 1750 - 1780 Ashmolean Museum, Oxford
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A group of flying Cupids 1770 - 1780 Giovanni Domenico Tiepolo (1727–1804)A group of flying Cupids 1770 - 1780 Ashmolean Museum, Oxford
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A crowd of fantasy figures 1745 - 1755 Giovanni Domenico Tiepolo (1727–1804)A crowd of fantasy figures 1745 - 1755 Ashmolean Museum, Oxford
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drawing 1750 - 1760 Giovanni Domenico Tiepolo (1727–1804)drawing 1750 - 1760 Ashmolean Museum, Oxford
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Woman carrying a child 1740 - 1749 Giovanni Battista Piranesi (1720–1778) and Giovanni Domenico Tiepolo (1727–1804)Woman carrying a child 1740 - 1749 Ashmolean Museum, Oxford
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The Lamentation at the Foot of the Cross probably 1750-60 Giovanni Domenico Tiepolo (1727–1804)The Lamentation at the Foot of the Cross probably 1750-60 The National Gallery, London
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The Procession of the Trojan Horse into Troy about 1760 Giovanni Domenico Tiepolo (1727–1804)The Procession of the Trojan Horse into Troy about 1760 The National Gallery, London
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The Marriage of Frederick Barbarossa and Beatrice of Burgundy about 1752-3 Giovanni Domenico Tiepolo (1727–1804)The Marriage of Frederick Barbarossa and Beatrice of Burgundy about 1752-3 The National Gallery, London
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The Lamentation at the Foot of the Cross 1755-60 Giovanni Domenico Tiepolo (1727–1804)The Lamentation at the Foot of the Cross 1755-60 The National Gallery, London
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The Building of the Trojan Horse about 1760 Giovanni Domenico Tiepolo (1727–1804)The Building of the Trojan Horse about 1760 The National Gallery, London
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The Madonna Appearing to Saint Anthony of Padua and Saint Francis of Paola Giovanni Domenico Tiepolo (1727–1804)The Madonna Appearing to Saint Anthony of Padua and Saint Francis of Paola National Trust, Upton House
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The Madonna of Loreto 1820–1850 Giovanni Domenico Tiepolo (1727–1804) (style of)The Madonna of Loreto 1820–1850 The Higgins Bedford