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Showing 39 artworks

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Saint Leo in Glory 1783–1784 Giovanni Domenico Tiepolo (1727–1804)

Saint Leo in Glory 1783–1784 Victoria and Albert Museum
Christ and the Woman Taken in Adultery 1780 Giovanni Domenico Tiepolo (1727–1804)

Christ and the Woman Taken in Adultery 1780 National Museum Cardiff
Christ at the Pool of Bethesda 1780 Giovanni Domenico Tiepolo (1727–1804)

Christ at the Pool of Bethesda 1780 National Museum Cardiff
Christ feeding the Multitude 1785 - 1800 Giovanni Domenico Tiepolo (1727–1804)

Christ feeding the Multitude 1785 - 1800 Ashmolean Museum, Oxford
Landscape with a dog and a farm cart 1790 - 1804 Giovanni Domenico Tiepolo (1727–1804)

Landscape with a dog and a farm cart 1790 - 1804 Ashmolean Museum, Oxford
Cupid with a group of putti Giovanni Domenico Tiepolo (1727–1804)

Cupid with a group of putti The Fitzwilliam Museum
Two donkeys and a goat in a landscape Giovanni Domenico Tiepolo (1727–1804)

Two donkeys and a goat in a landscape The Fitzwilliam Museum
Study of three male nudes, seated on clouds; seen foreshortened Giovanni Domenico Tiepolo (1727–1804)

Study of three male nudes, seated on clouds; seen foreshortened The Fitzwilliam Museum
God the Father in the Clouds Giovanni Domenico Tiepolo (1727–1804)

God the Father in the Clouds The Fitzwilliam Museum
A crowd of Orientals (full-length) Giovanni Domenico Tiepolo (1727–1804)

A crowd of Orientals (full-length) The Fitzwilliam Museum
Portrait of Niccolò Machiavelli (1469-1527) 1747 - 1780 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Piazzetta (1683–1754)

Portrait of Niccolò Machiavelli (1469-1527) 1747 - 1780 Ashmolean Museum, Oxford
The Election of the first Doge of Venice at Heraclea 1795 Giovanni Domenico Tiepolo (1727–1804)

The Election of the first Doge of Venice at Heraclea 1795 Ashmolean Museum, Oxford
Studies of a dog 1750 - 1753 Giovanni Domenico Tiepolo (1727–1804)

Studies of a dog 1750 - 1753 Ashmolean Museum, Oxford
Fighting dogs 1770 - 1800 Giovanni Domenico Tiepolo (1727–1804)

Fighting dogs 1770 - 1800 Ashmolean Museum, Oxford
Farmyard scene: a shed with a thatched roof 1754 - 1761 Giovanni Domenico Tiepolo (1727–1804)

Farmyard scene: a shed with a thatched roof 1754 - 1761 Ashmolean Museum, Oxford
Hercules and Antaeus 1770 - 1790 Giovanni Domenico Tiepolo (1727–1804)

Hercules and Antaeus 1770 - 1790 Ashmolean Museum, Oxford
The Coronation of the Virgin 1754 - 1760 Giovanni Domenico Tiepolo (1727–1804)

The Coronation of the Virgin 1754 - 1760 Ashmolean Museum, Oxford
The Baptism of Christ 1770 - 1790 Giovanni Domenico Tiepolo (1727–1804)

The Baptism of Christ 1770 - 1790 Ashmolean Museum, Oxford
A Minuet Danced in a Ballroom 1790 - 1804 Giovanni Domenico Tiepolo (1727–1804)

A Minuet Danced in a Ballroom 1790 - 1804 Ashmolean Museum, Oxford
Reclining female figure, seated on clouds, holding a jar Giovanni Domenico Tiepolo (1727–1804)

Reclining female figure, seated on clouds, holding a jar The Fitzwilliam Museum
Recto: Two reclining figures Verso: Sketch of a man wearing a turban 1745 - 1747 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Recto: Two reclining figures Verso: Sketch of a man wearing a turban 1745 - 1747 Ashmolean Museum, Oxford
Angelica and Medoro 1760 - 1780 Giovanni Domenico Tiepolo (1727–1804)

Angelica and Medoro 1760 - 1780 Ashmolean Museum, Oxford
A crowd of Orientals (full-length) Giovanni Domenico Tiepolo (1727–1804)

A crowd of Orientals (full-length) The Fitzwilliam Museum
A crouching man, seen from behind Giovanni Domenico Tiepolo (1727–1804)

A crouching man, seen from behind The Fitzwilliam Museum
St. Paul Preaching Giovanni Domenico Tiepolo (1727–1804)

St. Paul Preaching The Fitzwilliam Museum
A crowd of fantasy figures 1745 - 1755 Giovanni Domenico Tiepolo (1727–1804)

A crowd of fantasy figures 1745 - 1755 Ashmolean Museum, Oxford
A group of flying Cupids 1770 - 1780 Giovanni Domenico Tiepolo (1727–1804)

A group of flying Cupids 1770 - 1780 Ashmolean Museum, Oxford
A bull attacking a satyr and a centaur 1750 - 1780 Giovanni Domenico Tiepolo (1727–1804)

A bull attacking a satyr and a centaur 1750 - 1780 Ashmolean Museum, Oxford
drawing 1750 - 1760 Giovanni Domenico Tiepolo (1727–1804)

drawing 1750 - 1760 Ashmolean Museum, Oxford
drawing 1790 - 1804 Giovanni Domenico Tiepolo (1727–1804)

drawing 1790 - 1804 Ashmolean Museum, Oxford
A young woman with a macaw 1759 - 1761 Giovanni Battista Tiepolo (1696–1770) and Giovanni Domenico Tiepolo (1727–1804)

A young woman with a macaw 1759 - 1761 Ashmolean Museum, Oxford
Woman carrying a child 1740 - 1749 Giovanni Battista Piranesi (1720–1778) and Giovanni Domenico Tiepolo (1727–1804)

Woman carrying a child 1740 - 1749 Ashmolean Museum, Oxford
The Lamentation at the Foot of the Cross probably 1750-60 Giovanni Domenico Tiepolo (1727–1804)

The Lamentation at the Foot of the Cross probably 1750-60 The National Gallery, London
The Procession of the Trojan Horse into Troy about 1760 Giovanni Domenico Tiepolo (1727–1804)

The Procession of the Trojan Horse into Troy about 1760 The National Gallery, London
The Marriage of Frederick Barbarossa and Beatrice of Burgundy about 1752-3 Giovanni Domenico Tiepolo (1727–1804)

The Marriage of Frederick Barbarossa and Beatrice of Burgundy about 1752-3 The National Gallery, London
The Lamentation at the Foot of the Cross 1755-60 Giovanni Domenico Tiepolo (1727–1804)

The Lamentation at the Foot of the Cross 1755-60 The National Gallery, London
The Building of the Trojan Horse about 1760 Giovanni Domenico Tiepolo (1727–1804)

The Building of the Trojan Horse about 1760 The National Gallery, London
The Madonna Appearing to Saint Anthony of Padua and Saint Francis of Paola Giovanni Domenico Tiepolo (1727–1804)

The Madonna Appearing to Saint Anthony of Padua and Saint Francis of Paola National Trust, Upton House
The Madonna of Loreto 1820–1850 Giovanni Domenico Tiepolo (1727–1804) (style of)

The Madonna of Loreto 1820–1850 The Higgins Bedford

Giovanni Domenico Tiepolo

1727–1804