How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
We have revised the historic title of this painting, 'Head of a Negro' to make it more accurate as we can identify the sitter, and to respond to debate around the use of the word 'negro'. The historic title dates from a time when the word was commonly used. This is no longer the case. Henry Thomas had met Glyn Philpot's godson in The National Gallery after he had missed his voyage to Jamaica. He became Philpot's companion and was the artist's model in all his paintings and sculptures of black men from 1932. Philpot was a co-founder of the National Portrait Society. As a gay man, he sometimes felt a need to be away from the constraints of British society and travelled widely through the 1920s, in Europe, America and North Africa. In Pittsburgh, he met Matisse, a fellow juror for the Carnegie International Exhibition which awarded the prize to Picasso.
Title
Portrait of Henry Thomas, a Jamaican Man
Date
c.1935
Medium
oil on canvas
Measurements
H 44.4 x W 36.8 cm
Accession number
K1278
Acquisition method
purchased, 1936
Work type
Painting