Using images as a prompt, Wylie most often works from memory, resulting in distinctive compositions that remain only loosely tethered to their original referent. In this respect, drawing comprises an important aspect of her practice – once she has selected an image or a topic, she typically makes numerous drawings on that theme as a kind of mnemonic exercise from which her paintings eventually emerge. While some of her works on paper are spontaneous responses, others contain a single image repeated endlessly, while others still are more fully realised. Through this sustained process, Wylie's paintings are imbued with a sense of homage and reverence–whether aesthetic or personal–towards her subject matter. The present work relates to the artist's ongoing 'Film Notes' series, in which she paints scenes from movies as filtered through her memory. Here, she revisits her impressions of 'Natural Born Killers' (1994), depicting a love scene between the characters Mickey and Mallory Knox (played by Woody Harrelson and Juliette Lewis) set in a pink Cadillac. As indicated in the work's title, this painting presents a long-shot, or distant view, of the scene. Wylie often repeatedly paints the same scene from different vantage points, as though she were a director reviewing the scene in postproduction–zooming in or out to reveal certain details or inflect the narrative in a specific way.