How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Buy a print or image licence
You can purchase this reproduction
If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
While out hunting, Actaeon accidentally stumbles upon the secret bathing place of Diana, chaste goddess of the hunt, and sees her naked. His fate is foretold by the stag’s skull on the plinth and the skins of Diana’s former prey hanging above her head. The conclusion of the story is shown in another painting by Titian in the National Gallery, The Death of Actaeon. The outraged goddess transforms Actaeon into a stag to be torn apart by his own hounds. The paintings were part of a famous series of mythological pictures made for King Philip II of Spain when Titian was at the height of his powers. Works of unprecedented beauty and inventiveness, their subjects were based on the Roman poet Ovid’s Metamorphoses – Titian himself referred to them as ‘poesie’ (poems).
Title
Diana and Actaeon
Date
1556-1559
Medium
Oil on canvas
Measurements
H 184.5 x W 202.2 cm
Accession number
NG6611
Acquisition method
Bought jointly by the National Gallery and National Galleries of Scotland with contributions from the Scottish Government, the National Heritage Memorial Fund, The Monument Trust, The Art Fund (with a contribution from the Wolfson Foundation) and through public appeal, 2009
Work type
Painting