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Notes

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The sombre palette in this work reflects the mood of the title. Mellis reduces the elements of the still life – table, glass and cup – to a formal arrangement. This exaggerates the expressive nature of the flower stems, which sprawl across the composition.

Mellis returned to painting in the 1950s after exploring abstraction in Cornwall during the Second World War. This work is part of an extended series of Anemone still life paintings, which in their concentration on simplicity of form and composition are reminiscent of the work of William Scott.

The Pier Arts Centre

Stromness

Title

Anemones Gone to Seed

Date

c.1957

Medium

oil on board

Measurements

H 39.5 x W 40 cm

Accession number

PAC 36

Acquisition method

gift from Margaret Gardiner, 1979

Work type

Painting

Inscription description

1. 'MARGARET MELLIS / ANEMONIES GONE TO SEED / 15 GUINEAS'. 2. exhibition label for Aberdeen Art Gallery and Museums (Pier Gallery Collection 1978). 3. exhibition label for Tate (Pier Gallery Collection 20th Sept-29th Oct 1978). 4. 'M / MELLIS [printed within a printed circle] / Anemones / gone to seed / 4.022'. 5. exhibition label (artist name and title). 6. exhibition label for Scottish National Gallery of Modern Art (Out of Place: Works from the Pier Arts Centre collection).

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