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Notes
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Raphael interpreted the theme not as a moral dilemma but as a combination of all the virtues to which an ideal soldier should aspire. An Allegory is first recorded in the Borghese collection in Rome in the seventeenth century with Raphael’s The Three Graces (Musée Condé, Chantilly), which is identical in size and style. The combination of the traditionally masculine virtues of courage, learning and love with the traditionally feminine virtues of chastity, beauty and love suggest that the two little paintings may have been made to mark the occasion of a marriage.
Title
An Allegory ('Vision of a Knight')
Date
about 1504
Medium
Oil on poplar
Measurements
H 17.1 x W 17.3 cm
Accession number
NG213
Acquisition method
Bought, 1847
Work type
Painting
The National Gallery, London
Trafalgar Square, London, Greater London WC2N 5DN England
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