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John Ruskin
1819–1900
(b London, 8 Feb. 1819; d Brantwood, nr. Coniston, Cumberland [now Cumbria], 20 Jan. 1900). English writer, artist, social reformer, and philanthropist. He was the most important English art critic of the 19th century, with a remarkable hold over public opinion, and also a talented and prolific draughtsman and watercolourist, mainly of landscape and architectural subjects.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Glen Tilt 1857 John Ruskin (1819–1900)Glen Tilt 1857 Brantwood
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Glacier des Bossons 1874 John Ruskin (1819–1900)Glacier des Bossons 1874 The Alpine Club Collection
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Fragments from Abbeville, Lucca, Venice and Pisa 1849 John Ruskin (1819–1900)Fragments from Abbeville, Lucca, Venice and Pisa 1849 Sheffield Museums
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Traceries and Mouldings from Rouen and Salisbury 1849 John Ruskin (1819–1900)Traceries and Mouldings from Rouen and Salisbury 1849 Sheffield Museums
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'The Vine Free and in Service', Study towards 'The Stones of Venice', Volume II 1851–1853 John Ruskin (1819–1900)'The Vine Free and in Service', Study towards 'The Stones of Venice', Volume II 1851–1853 Sheffield Museums
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Two Detached Rays of a Peacock's Breast Feather, Enlarged Three Times 1873 John Ruskin (1819–1900)Two Detached Rays of a Peacock's Breast Feather, Enlarged Three Times 1873 Sheffield Museums
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Study of Rocks and Ferns, Crossmount, Perthshire 1847 John Ruskin (1819–1900)Study of Rocks and Ferns, Crossmount, Perthshire 1847 Abbot Hall
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Chamouni, Mont Blanc De St Gervais 1849 John Ruskin (1819–1900)Chamouni, Mont Blanc De St Gervais 1849 Abbot Hall
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Intersectional Mouldings (study towards 'The Seven Lamps of Architecture') 1849 John Ruskin (1819–1900)Intersectional Mouldings (study towards 'The Seven Lamps of Architecture') 1849 Sheffield Museums: Millennium Gallery
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Sketches towards 'The Acanthus of Torcello', 'The Stones of Venice', Volume II and Other Studies c.1849 John Ruskin (1819–1900)Sketches towards 'The Acanthus of Torcello', 'The Stones of Venice', Volume II and Other Studies c.1849 Sheffield Museums: Millennium Gallery
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Study of a Peacock Feather 1873 John Ruskin (1819–1900)Study of a Peacock Feather 1873 Sheffield Museums: Millennium Gallery
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View of Calais from the Harbour John Ruskin (1819–1900)View of Calais from the Harbour The Courtauld, London (Samuel Courtauld Trust)
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Leafage of the Venetian Capitals c.1849 John Ruskin (1819–1900)Leafage of the Venetian Capitals c.1849 The Courtauld, London (Samuel Courtauld Trust)
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Lake Lugano John Ruskin (1819–1900)Lake Lugano The Courtauld, London (Samuel Courtauld Trust)
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'Tracery from the Campanile of Giotto': Plate from 'The Seven Lamps of Architecture' 1849 John Ruskin (1819–1900)'Tracery from the Campanile of Giotto': Plate from 'The Seven Lamps of Architecture' 1849 Sheffield Museums: Millennium Gallery
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Lyskamm, Castor and Pollux 1849 John Ruskin (1819–1900)Lyskamm, Castor and Pollux 1849 The Alpine Club Collection
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Study of Willow Leaves c.1857 John Ruskin (1819–1900)Study of Willow Leaves c.1857 Manchester Art Gallery
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Crocket of St Wulfran – Abbeville, France 1882 John Ruskin (1819–1900)Crocket of St Wulfran – Abbeville, France 1882 Manchester Art Gallery
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Arricia, near Albano 1841 John Ruskin (1819–1900)Arricia, near Albano 1841 Abbot Hall
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Bellinzona: View 1858 John Ruskin (1819–1900)Bellinzona: View 1858 Abbot Hall