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John Ruskin

1819–1900

(b London, 8 Feb. 1819; d Brantwood, nr. Coniston, Cumberland [now Cumbria], 20 Jan. 1900). English writer, artist, social reformer, and philanthropist. He was the most important English art critic of the 19th century, with a remarkable hold over public opinion, and also a talented and prolific draughtsman and watercolourist, mainly of landscape and architectural subjects.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

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Glen Tilt 1857 John Ruskin (1819–1900)

Glen Tilt 1857 Brantwood
Glacier des Bossons 1874 John Ruskin (1819–1900)

Glacier des Bossons 1874 The Alpine Club Collection
Fragments from Abbeville, Lucca, Venice and Pisa 1849 John Ruskin (1819–1900)

Fragments from Abbeville, Lucca, Venice and Pisa 1849 Sheffield Museums
Traceries and Mouldings from Rouen and Salisbury 1849 John Ruskin (1819–1900)

Traceries and Mouldings from Rouen and Salisbury 1849 Sheffield Museums
'The Vine Free and in Service', Study towards 'The Stones of Venice', Volume II 1851–1853 John Ruskin (1819–1900)

'The Vine Free and in Service', Study towards 'The Stones of Venice', Volume II 1851–1853 Sheffield Museums
Two Detached Rays of a Peacock's Breast Feather, Enlarged Three Times 1873 John Ruskin (1819–1900)

Two Detached Rays of a Peacock's Breast Feather, Enlarged Three Times 1873 Sheffield Museums
Study of Rocks and Ferns, Crossmount, Perthshire 1847 John Ruskin (1819–1900)

Study of Rocks and Ferns, Crossmount, Perthshire 1847 Abbot Hall
Chamouni, Mont Blanc De St Gervais 1849 John Ruskin (1819–1900)

Chamouni, Mont Blanc De St Gervais 1849 Abbot Hall
Intersectional Mouldings (study towards 'The Seven Lamps of Architecture') 1849 John Ruskin (1819–1900)

Intersectional Mouldings (study towards 'The Seven Lamps of Architecture') 1849 Sheffield Museums: Millennium Gallery
Sketches towards 'The Acanthus of Torcello', 'The Stones of Venice', Volume II and Other Studies c.1849 John Ruskin (1819–1900)

Sketches towards 'The Acanthus of Torcello', 'The Stones of Venice', Volume II and Other Studies c.1849 Sheffield Museums: Millennium Gallery
Study of a Peacock Feather 1873 John Ruskin (1819–1900)

Study of a Peacock Feather 1873 Sheffield Museums: Millennium Gallery
View of Calais from the Harbour John Ruskin (1819–1900)

View of Calais from the Harbour The Courtauld, London (Samuel Courtauld Trust)
Leafage of the Venetian Capitals c.1849 John Ruskin (1819–1900)

Leafage of the Venetian Capitals c.1849 The Courtauld, London (Samuel Courtauld Trust)
Lake Lugano John Ruskin (1819–1900)

Lake Lugano The Courtauld, London (Samuel Courtauld Trust)
'Tracery from the Campanile of Giotto': Plate from 'The Seven Lamps of Architecture' 1849 John Ruskin (1819–1900)

'Tracery from the Campanile of Giotto': Plate from 'The Seven Lamps of Architecture' 1849 Sheffield Museums: Millennium Gallery
Lyskamm, Castor and Pollux 1849 John Ruskin (1819–1900)

Lyskamm, Castor and Pollux 1849 The Alpine Club Collection
Study of Willow Leaves c.1857 John Ruskin (1819–1900)

Study of Willow Leaves c.1857 Manchester Art Gallery
Crocket of St Wulfran – Abbeville, France 1882 John Ruskin (1819–1900)

Crocket of St Wulfran – Abbeville, France 1882 Manchester Art Gallery
Arricia, near Albano 1841 John Ruskin (1819–1900)

Arricia, near Albano 1841 Abbot Hall
Bellinzona: View 1858 John Ruskin (1819–1900)

Bellinzona: View 1858 Abbot Hall
Coastal Scene, Italy 1841 John Ruskin (1819–1900)

Coastal Scene, Italy 1841 Sheffield Museums
Coastal Scene with a Fortress, Naples, Italy 1841 John Ruskin (1819–1900)

Coastal Scene with a Fortress, Naples, Italy 1841 Sheffield Museums
Study of Moss, Fern and Wood-Sorrel, upon a Rocky River Bank 1875–1879 John Ruskin (1819–1900)

Study of Moss, Fern and Wood-Sorrel, upon a Rocky River Bank 1875–1879 Sheffield Museums: Millennium Gallery
Saint George and the Dragon 1872 John Ruskin (1819–1900)

Saint George and the Dragon 1872 Sheffield Museums: Millennium Gallery
Itri 1841 John Ruskin (1819–1900)

Itri 1841 The Courtauld, London (Samuel Courtauld Trust)
San Jacopo Maggiore, Bologna John Ruskin (1819–1900)

San Jacopo Maggiore, Bologna The Courtauld, London (Samuel Courtauld Trust)
'Sculptures from the Cathedral of Rouen', Study towards 'The Seven Lamps of Architecture' 1848–1849 John Ruskin (1819–1900)

'Sculptures from the Cathedral of Rouen', Study towards 'The Seven Lamps of Architecture' 1848–1849 Sheffield Museums: Millennium Gallery
Santa Maria della Spina, East end, Pisa, Italy 1845 John Ruskin (1819–1900)

Santa Maria della Spina, East end, Pisa, Italy 1845 Sheffield Museums: Millennium Gallery
The Towers of Thun, Switzerland 1854 John Ruskin (1819–1900)

The Towers of Thun, Switzerland 1854 Sheffield Museums: Millennium Gallery
'Part of the Cathedral of St Lô': Plate from 'The Seven Lamps of Architecture' 1848–1849 John Ruskin (1819–1900)

'Part of the Cathedral of St Lô': Plate from 'The Seven Lamps of Architecture' 1848–1849 Sheffield Museums: Millennium Gallery
The Island of Capri Seen from Naples 1880 William Ward (1829–1908) and John Ruskin (1819–1900)

The Island of Capri Seen from Naples 1880 Manchester Art Gallery
Façade of The Doge's Palace, Venice – Head of Adam c.1845 John Ruskin (1819–1900)

Façade of The Doge's Palace, Venice – Head of Adam c.1845 Manchester Art Gallery
Vevey, Sunrise John Ruskin (1819–1900)

Vevey, Sunrise The Alpine Club Collection
Palazzo Agostini, Pisa John Ruskin (1819–1900)

Palazzo Agostini, Pisa The Fitzwilliam Museum
Window from the Ca' Foscari 1849 John Ruskin (1819–1900)

Window from the Ca' Foscari 1849 Sheffield Museums
Capitals, Concave Group (study towards 'The Stones of Venice', Volume I) c.1851 John Ruskin (1819–1900)

Capitals, Concave Group (study towards 'The Stones of Venice', Volume I) c.1851 Sheffield Museums: Millennium Gallery
Fast Sketch of Withered Oak Leaves 1879 John Ruskin (1819–1900)

Fast Sketch of Withered Oak Leaves 1879 Sheffield Museums: Millennium Gallery
Portrait Miniature of Rose LaTouche 1872 John Ruskin (1819–1900)

Portrait Miniature of Rose LaTouche 1872 Sheffield Museums: Millennium Gallery
Study of a Silver Penny of William I mid-19th–late 19th C John Ruskin (1819–1900)

Study of a Silver Penny of William I mid-19th–late 19th C Sheffield Museums: Millennium Gallery
Detail of an Atrium Pier, Duomo, Lucca, Italy 1882 John Ruskin (1819–1900)

Detail of an Atrium Pier, Duomo, Lucca, Italy 1882 Sheffield Museums: Millennium Gallery