How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
Noted for her beauty and intelligence, Venetia Stanley was the wife of the diplomat and author, Sir Kenelm Digby. She was the subject of much scandal, and was said to have been the mistress of Edward Sackville, 4th Earl of Dorset while betrothed to Digby, who was abroad at the time. The tale of the Digby's romance and the restoration of Venetia's virtue are detailed in her husband's memoirs, Loose Fantasies. After nine years of marriage, she died suddenly – quite possibly after drinking her husband's 'viper wine', a concoction reputed to preserve beauty. Digby mourned her loss extravagantly. This allegorical portrait by Van Dyck is thought to have been painted as a posthumous tribute to Lady Digby, who is shown as Prudence, trampling on profane Love and spurning two-faced Deceit.
Title
Venetia, Lady Digby
Date
c.1633–1634
Medium
oil on canvas
Measurements
H 101.1 x W 80.2 cm
Accession number
5727
Acquisition method
Purchased with help from The Pilgrim Trust, 1984
Work type
Painting