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Flawless Crystal, (detail), 1949, bronze by Dora Gordine (1895–1991), © Dorich House Museum, Kingston University, Image credit: Dorich House Museum, Kingston University

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Expanding Panels Series. 1979, gouache on paper by Wilhelmina Barns-Graham (1912–2004). © Wilhelmina Barns-Graham Trust. Image credit: Wilhelmina Barns-Graham Trust

Expanding Panels Series
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Framed print of 'Summer Grasses and Barley on the Clifftop'. c.1962, oil on board by Joan Kathleen Harding Eardley (1921–1963). © the Eardley estate. All rights reserved, DACS 2025. Image credit: Museums & Galleries Edinburgh – City of Edinburgh Council

Framed print of 'Summer Grasses and Barley on the Clifftop'
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Self Portrait. 1921, oil on canvas by Dorothy Carleton Smyth (1880–1933). Image credit: Glasgow Life Museums

Self Portrait
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Housewives with Steak-Knives. 1985, mixed media on canvas by Sutapa Biswas (b.1962). © Sutapa Biswas. All rights reserved, DACS 2025. Image credit: Bradford Museums and Galleries

Housewives with Steak-Knives
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A detail from 'Self-Portrait with Bandaged Ear'. 1889, oil on canvas by Vincent van Gogh (1853–1890). Image credit: The Courtauld

1889, oil on canvas by Vincent van Gogh (1853–1890)
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Train Landscape. (detail), 1940, watercolour on paper (collage) by Eric Ravilious (1903–1942). Image credit: Aberdeen Art Gallery & Museums

Train Landscape
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Works on Paper. (detail), 2009, acrylic gouache on paper by Peter McDonald (b.1973). © the artist & Kate MacGarry Gallery. Image credit: Government Art Collection

(detail), 2009, acrylic gouache on paper by Peter McDonald (b.1973)
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58 Flavors (Parade Series), (detail), acrylic on canvas by Grace Gardner (1920–2013), © the artist's estate, image credit: Falmouth Art Gallery

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