This exhibition focuses a spotlight on female creativity across the centuries in celebration of International Women’s Day 2004.


IWD 2024 aims to inspire inclusion with 'DigitALL: Innovation and technology for gender equality'. We invited girls, women, and those who identify as women in Wolverhampton to help shape this exhibition of favourite works by female artists, by selecting an art work and responding using words or drawings.


The chosen works are presented as a digital display at the gallery from 8 March – 28 April 2024. Some works are also on display around the galleries, identified by the IWD logo.


A poem by Wolverhampton’s Poet Laureat Dr Kuli Kohli, in response to the painting Reader by Ethel Gabain complements the display.

28 artworks

2024

Reading
Image credit: Wolverhampton Arts and Heritage

Freed

A poem by Dr Kuli Kohli, Wolverhampton's Poet Laureate Inspired by the oil painting Reading by Ethel Léontine Gabain (1883–1950)

When I touch your pages you fill me with excitement, adventure, imagination. I am limitless.

Gently I breathe, I fall and I rise, I am alive.

In the core of the soft sheets, your secrets are revealed to me. I read between the lines. I am desire.

Locked in a moment, confined like oil on canvas; I am boundless.

When I am reading, delicate as a dream, your words embrace me; I am yours....

This is an abridged version of the poem. The full version is on display at Wolverhampton Art Gallery.

Reading
Ethel Léontine Gabain (1883–1950)
Oil on canvas
H 40.5 x W 51 cm
Wolverhampton Arts and Heritage

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Auto-Portrait
© Chila Kumari Singh Burman. All rights reserved, DACS 2025. Image credit: Wolverhampton Arts and Heritage

The coloured collage of small pictures against the dark background is striking, and the subject matter feels relevant and current. She looks like a modern Mona Lisa. You can look at it for ages and see something different each time.

Viv East

Auto-Portrait 1995
Chila Kumari Singh Burman (b.1957)
Inkjet print on paper with embellishment
H 158.2 x W 82 cm
Wolverhampton Arts and Heritage

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Colour Her Gone
© Courtesy of the Pauline Boty Estate. Image credit: The Boty Family

Colour Her Gone

Love Pauline Boty's painting of a classic icon Marilyn Monroe, it evokes the power and strength of women throughout the ages. No matter how many times they have tried to colour her gone, erase her from history, her inspiration lives on.

Sarah Preston

Pauline Boty, artist, actress, trailblazer. Brave Soul. Her creativity talks to women still after years and years through tears. What a star you are Pauline Boty in a sea on men you sail on.

Ruth Mason

Colour Her Gone 1962
Pauline Boty (1938–1966)
Oil on canvas
H 121.9 x W 121.9 cm
Wolverhampton Arts and Heritage

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Stairs II
© Shani Rhys James. All rights reserved, DACS 2025. Image credit: Wolverhampton Arts and Heritage

Stairs II

Stairs II 1997
Shani Rhys James (b.1953)
Oil on canvas
H 180 x W 210 cm
Wolverhampton Arts and Heritage

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A Declaration
© the artist. Image credit: Wolverhampton Arts and Heritage

A Declaration

Emma Bolland’s A Declaration captures a swirl of movement, the girl has the wind in her hair, the fish surge forth churned up in the wave behind her, She only has a flimsy dress, yet she stands firm and strong on her a wooden leg, her arm held high against the tempest. I connect with this image I feel women often face storm-like conditions, are “Disabled’ by society, have lost their identity in the storm of modern life.   Claire Darke

A Declaration 1980–1988
Emma Bolland (b.1962)
Oil on canvas
H 154.6 x W 134 cm
Wolverhampton Arts and Heritage

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Flower Piece
Image credit: Wolverhampton Arts and Heritage
Flower Piece early 1930s
Emily Beatrice Bland (1864–1951)
Oil on canvas
H 61 x W 50.5 cm
Wolverhampton Arts and Heritage

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Still Life, Flowers
© the copyright holder. Image credit: Wolverhampton Arts and Heritage
Still Life, Flowers
Agnes Beatrice Chettle (1867–1959)
Oil on canvas
H 50.8 x W 41.3 cm
Wolverhampton Arts and Heritage

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Half the Sky
© the artist. Image credit: Wolverhampton Arts and Heritage

Half the Sky

A suitcase

Or a toolbox?

Essential items for a day’s work

Or a collection of family heirlooms?

In the morning light, heading out, functioning,

Or the evening light, returning home, reflecting?

Half the sky

Half a suitcase

Half a story

Carrie Slawinska

Half the Sky 1980s
Maggie Auden Walker (b.1944)
Oil on canvas
H 107 x W 81.5 cm
Wolverhampton Arts and Heritage

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Josh
© the copyright holder. Image credit: Wolverhampton Arts and Heritage
Josh 1990s
Jacqueline Clarke
Oil on canvas
H 92 x W 70 cm
Wolverhampton Arts and Heritage

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Breton Woman
© the artist's estate / Bridgeman Images. Image credit: Bridgeman Images

Breton Woman

A daily ritual, she takes a walk, her walking stick clip and clops. The promising sounds of comfort. She is the mother of our streets, our city.   She stops and greets every being, listening to their tales of joys and woes. She comforts, consoles the bruised heart. She is the balm to our bleeding wounds.   Hobbling along she hums her songs, talking to squirrels jumping in the trees, to the birds as they fly high in the sky, to flowers that blossom, scenting the air.

In a tranquil moment, she sits quietly. Streets has changed the journey recedes, The rain is threatening this ordinary day. A memory vibrates with pleasure and pain.   There is wisdom in her wrinkles, knowledge brought from her youth...

An excerpt from Santosh K Dary

Breton Woman
Laura Sylvia Gosse (1881–1968)
Oil on canvas
H 61 x W 48.5 cm
Wolverhampton Arts and Heritage

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Untitled, 1990 (Standing Woman)
© the artist. Image credit: Wolverhampton Arts and Heritage

I am the Standing Woman

When you know you know. I am the standing woman I remain standing through it all. I wear masks to cover some things. But then I wear other masks to enhance other things. Having done some much needed reality checks of life, as a big black woman living in the Diaspora as a migrant. I do what I have to do to survive the existence that is my life.   I have learned with time how to present myself right. It has become easier in fact knowing that everyone is doing the same after all. PRESENTING THEMSELVES RIGHT.

To some I am big and intimidating in my confidence. To some I am big and a waste of space. Yet to some I am that cuddly softie that could never hurt a fly...

An excerpt from the response by Farisai Dzemwa

Untitled, 1990 (Standing Woman) 1990
Claudette Johnson (b.1959)
Pastel on paper
H 139.2 x W 79.7 cm
Wolverhampton Arts and Heritage

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Sir William Nicholson (1872–1949)
© the copyright holder. Image credit: Wolverhampton Arts and Heritage

Sir William Nicholson (1872–1949)

Sir William Nicholson (1872–1949) 1920–1936
Diana Low (1911–1975)
Oil on canvas
H 52 x W 67.5 cm
Wolverhampton Arts and Heritage

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Madonna and Child
Image credit: Wolverhampton Arts and Heritage
Madonna and Child
Marianne Stokes (1855–1927)
Tempera on panel
H 81 x W 61 cm
Wolverhampton Arts and Heritage

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Pagan Painting I
© the artist. Image credit: Wolverhampton Arts and Heritage
Pagan Painting I 1980–1986
Kate Whiteford (b.1952)
Oil on canvas
H 195 x W 294 cm
Wolverhampton Arts and Heritage

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Glacier, Rock Forms
© Wilhelmina Barns-Graham Trust. Image credit: Wolverhampton Arts and Heritage

Glacier, Rock Forms

Love this artwork, but I don’t see a glacier, I see a woman lying on her side holding her head with one hand and stomach with the other. I see in this picture a reflection of me. I am currently going through the menopause and this is a pose I take up most evenings as I try to fathom the day’s events with my new way of thinking and deal with the pains and emotions that the menopause brings.

Ruth Stanway

Glacier, Rock Forms 1950
Wilhelmina Barns-Graham (1912–2004)
Oil on canvas
H 51 x W 76 cm
Wolverhampton Arts and Heritage

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The Mountain Barrier
© the copyright holder. Image credit: Wolverhampton Arts and Heritage

The Mountain Barrier

Enid Marjorie Vale’s oil painting takes my mind away from everything. I am completely captured by the beauty and simplicity of the mountains. My mind is at peace, it can easily be my happy place. In this hectic world and difficult times, this picture takes me to a happy, peaceful place.

Santush Chaunkria

The Mountain Barrier 1944
Enid Marjorie Vale (1890–1968)
Oil on board
H 49.5 x W 65 cm
Wolverhampton Arts and Heritage
Sundown 1940–1947
Laura Knight (1877–1970)
Oil on canvas
H 61 x W 91.5 cm
Wolverhampton Arts and Heritage

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Abstract*
© the artist's estate. Image credit: Wolverhampton Arts and Heritage
Abstract*
Gillian Ayres (1930–2018)
Oil on board
H 89 x W 65 cm
Wolverhampton Arts and Heritage

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Untitled
© the copyright holder. Image credit: Wolverhampton Arts and Heritage
Untitled 1968
Carlene Brady
Acrylic on canvas
H 203 x W 152.5 cm
Wolverhampton Arts and Heritage

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Heiroglyph Triptych
© the artist. Image credit: Wolverhampton Arts and Heritage

Heiroglyph Triptych

This is the left hand panel of a three part painting.

Heiroglyph Triptych 1990–1997
Usha Parmar
Oil on canvas
H 79 x W 77 cm
Wolverhampton Arts and Heritage

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Hieroglyph Triptych
© the artist. Image credit: Wolverhampton Arts and Heritage
Hieroglyph Triptych 1990–1997
Usha Parmar
Oil on canvas
H 77 x W 77 cm
Wolverhampton Arts and Heritage

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Hieroglyph Triptych
© the artist. Image credit: Wolverhampton Arts and Heritage
Hieroglyph Triptych 1990–1997
Usha Parmar
Oil on canvas
H 32 x W 32 cm
Wolverhampton Arts and Heritage

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Invasion
© the artist. Image credit: Wolverhampton Arts and Heritage

I am always drawn to the colour combination and use of pattern in Invasion by Lubaina Himid. Invasion combines elements of modernist abstraction with African inspired fabric and textiles to portray the many important contributions by migrants to western culture. The making of fabric and creation of pattern is traditionally considered women’s work. Himid depicts African inspired textile in this work to represent black women’s creativity. In 2017 Himid was the first black woman and the oldest winner of the prestigious Turner Prize award.

Bethany Williams

Invasion 1992
Lubaina Himid (b.1954)
Acrylic on canvas
H 213.5 x W 152.5 cm
Wolverhampton Arts and Heritage

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Penelope Weeping over the Bow of Ulysses
Image credit: Wolverhampton Arts and Heritage

Penelope Weeping over the Bow of Ulysses

Penelope Weeping over the Bow of Ulysses 1779 or before
Angelica Kauffmann (1741–1807)
Oil on copper
H 25.5 x W 20 cm
Wolverhampton Arts and Heritage

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Wolverhampton Racecourse
Image credit: Wolverhampton Arts and Heritage

Wolverhampton Racecourse

Wolverhampton Racecourse 1882
Helen Duncan Atkinson (1849–1924)
Oil on canvas
H 23 x W 44 cm
Wolverhampton Arts and Heritage

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Interior of Queen Street Congregational Church
© the copyright holder. Image credit: Wolverhampton Arts and Heritage

Interior of Queen Street Congregational Church

Interior of Queen Street Congregational Church
Grace Mary Hawkins (active 1910–1940)
Oil on canvas
H 40.5 x W 28 cm
Wolverhampton Arts and Heritage

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Tiger, Tiger
© Eileen Cooper / Bridgeman Images. Image credit: Wolverhampton Arts and Heritage
Tiger, Tiger 1985–1992
Eileen Cooper (b.1953)
Oil on canvas
H 168.5 x W 126.5 cm
Wolverhampton Arts and Heritage

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I Can Paint a Picture with a Pin, 2006
© the artist. Image credit: Wolverhampton Arts and Heritage

I Can Paint a Picture with a Pin, 2006

I Can Paint a Picture with a Pin, 2006 1984
Barbara Walker (b.1964)
Digital print on paper
H 107 x W 81 cm
Wolverhampton Arts and Heritage