This exhibition focuses a spotlight on female creativity across the centuries in celebration of International Women’s Day 2004.
IWD 2024 aims to inspire inclusion with 'DigitALL: Innovation and technology for gender equality'. We invited girls, women, and those who identify as women in Wolverhampton to help shape this exhibition of favourite works by female artists, by selecting an art work and responding using words or drawings.
The chosen works are presented as a digital display at the gallery from 8 March – 28 April 2024. Some works are also on display around the galleries, identified by the IWD logo.
A poem by Wolverhampton’s Poet Laureat Dr Kuli Kohli, in response to the painting Reader by Ethel Gabain complements the display.
Freed
A poem by Dr Kuli Kohli, Wolverhampton's Poet Laureate Inspired by the oil painting Reading by Ethel Léontine Gabain (1883–1950)
When I touch your pages you fill me with excitement, adventure, imagination. I am limitless.
Gently I breathe, I fall and I rise, I am alive.
In the core of the soft sheets, your secrets are revealed to me. I read between the lines. I am desire.
Locked in a moment, confined like oil on canvas; I am boundless.
When I am reading, delicate as a dream, your words embrace me; I am yours....
This is an abridged version of the poem. The full version is on display at Wolverhampton Art Gallery.
Ethel Léontine Gabain (1883–1950)
Oil on canvas
H 40.5 x W 51 cm
Wolverhampton Arts and Heritage
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The coloured collage of small pictures against the dark background is striking, and the subject matter feels relevant and current. She looks like a modern Mona Lisa. You can look at it for ages and see something different each time.
Viv East
Chila Kumari Singh Burman (b.1957)
Inkjet print on paper with embellishment
H 158.2 x W 82 cm
Wolverhampton Arts and Heritage
Colour Her Gone
Love Pauline Boty's painting of a classic icon Marilyn Monroe, it evokes the power and strength of women throughout the ages. No matter how many times they have tried to colour her gone, erase her from history, her inspiration lives on.
Sarah Preston
Pauline Boty, artist, actress, trailblazer. Brave Soul. Her creativity talks to women still after years and years through tears. What a star you are Pauline Boty in a sea on men you sail on.
Ruth Mason
Pauline Boty (1938–1966)
Oil on canvas
H 121.9 x W 121.9 cm
Wolverhampton Arts and Heritage
Stairs II
Shani Rhys James (b.1953)
Oil on canvas
H 180 x W 210 cm
Wolverhampton Arts and Heritage
A Declaration
Emma Bolland’s A Declaration captures a swirl of movement, the girl has the wind in her hair, the fish surge forth churned up in the wave behind her, She only has a flimsy dress, yet she stands firm and strong on her a wooden leg, her arm held high against the tempest. I connect with this image I feel women often face storm-like conditions, are “Disabled’ by society, have lost their identity in the storm of modern life. Claire Darke
Emma Bolland (b.1962)
Oil on canvas
H 154.6 x W 134 cm
Wolverhampton Arts and Heritage
Emily Beatrice Bland (1864–1951)
Oil on canvas
H 61 x W 50.5 cm
Wolverhampton Arts and Heritage
Agnes Beatrice Chettle (1867–1959)
Oil on canvas
H 50.8 x W 41.3 cm
Wolverhampton Arts and Heritage
Half the Sky
A suitcase
Or a toolbox?
Essential items for a day’s work
Or a collection of family heirlooms?
In the morning light, heading out, functioning,
Or the evening light, returning home, reflecting?
Half the sky
Half a suitcase
Half a story
Carrie Slawinska
Maggie Auden Walker (b.1944)
Oil on canvas
H 107 x W 81.5 cm
Wolverhampton Arts and Heritage
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Breton Woman
A daily ritual, she takes a walk, her walking stick clip and clops. The promising sounds of comfort. She is the mother of our streets, our city. She stops and greets every being, listening to their tales of joys and woes. She comforts, consoles the bruised heart. She is the balm to our bleeding wounds. Hobbling along she hums her songs, talking to squirrels jumping in the trees, to the birds as they fly high in the sky, to flowers that blossom, scenting the air.
In a tranquil moment, she sits quietly. Streets has changed the journey recedes, The rain is threatening this ordinary day. A memory vibrates with pleasure and pain. There is wisdom in her wrinkles, knowledge brought from her youth...
An excerpt from Santosh K Dary
Laura Sylvia Gosse (1881–1968)
Oil on canvas
H 61 x W 48.5 cm
Wolverhampton Arts and Heritage
I am the Standing Woman
When you know you know. I am the standing woman I remain standing through it all. I wear masks to cover some things. But then I wear other masks to enhance other things. Having done some much needed reality checks of life, as a big black woman living in the Diaspora as a migrant. I do what I have to do to survive the existence that is my life. I have learned with time how to present myself right. It has become easier in fact knowing that everyone is doing the same after all. PRESENTING THEMSELVES RIGHT.
To some I am big and intimidating in my confidence. To some I am big and a waste of space. Yet to some I am that cuddly softie that could never hurt a fly...
An excerpt from the response by Farisai Dzemwa
Claudette Johnson (b.1959)
Pastel on paper
H 139.2 x W 79.7 cm
Wolverhampton Arts and Heritage
Sir William Nicholson (1872–1949)
Diana Low (1911–1975)
Oil on canvas
H 52 x W 67.5 cm
Wolverhampton Arts and Heritage
Marianne Stokes (1855–1927)
Tempera on panel
H 81 x W 61 cm
Wolverhampton Arts and Heritage
Kate Whiteford (b.1952)
Oil on canvas
H 195 x W 294 cm
Wolverhampton Arts and Heritage
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Glacier, Rock Forms
Love this artwork, but I don’t see a glacier, I see a woman lying on her side holding her head with one hand and stomach with the other. I see in this picture a reflection of me. I am currently going through the menopause and this is a pose I take up most evenings as I try to fathom the day’s events with my new way of thinking and deal with the pains and emotions that the menopause brings.
Ruth Stanway
Wilhelmina Barns-Graham (1912–2004)
Oil on canvas
H 51 x W 76 cm
Wolverhampton Arts and Heritage
The Mountain Barrier
Enid Marjorie Vale’s oil painting takes my mind away from everything. I am completely captured by the beauty and simplicity of the mountains. My mind is at peace, it can easily be my happy place. In this hectic world and difficult times, this picture takes me to a happy, peaceful place.
Santush Chaunkria
Enid Marjorie Vale (1890–1968)
Oil on board
H 49.5 x W 65 cm
Wolverhampton Arts and Heritage
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Laura Knight (1877–1970)
Oil on canvas
H 61 x W 91.5 cm
Wolverhampton Arts and Heritage
Heiroglyph Triptych
This is the left hand panel of a three part painting.
Usha Parmar
Oil on canvas
H 79 x W 77 cm
Wolverhampton Arts and Heritage
Usha Parmar
Oil on canvas
H 77 x W 77 cm
Wolverhampton Arts and Heritage
Usha Parmar
Oil on canvas
H 32 x W 32 cm
Wolverhampton Arts and Heritage
I am always drawn to the colour combination and use of pattern in Invasion by Lubaina Himid. Invasion combines elements of modernist abstraction with African inspired fabric and textiles to portray the many important contributions by migrants to western culture. The making of fabric and creation of pattern is traditionally considered women’s work. Himid depicts African inspired textile in this work to represent black women’s creativity. In 2017 Himid was the first black woman and the oldest winner of the prestigious Turner Prize award.
Bethany Williams
Lubaina Himid (b.1954)
Acrylic on canvas
H 213.5 x W 152.5 cm
Wolverhampton Arts and Heritage
Penelope Weeping over the Bow of Ulysses
Angelica Kauffmann (1741–1807)
Oil on copper
H 25.5 x W 20 cm
Wolverhampton Arts and Heritage
Wolverhampton Racecourse
Helen Duncan Atkinson (1849–1924)
Oil on canvas
H 23 x W 44 cm
Wolverhampton Arts and Heritage
Interior of Queen Street Congregational Church
Grace Mary Hawkins (active 1910–1940)
Oil on canvas
H 40.5 x W 28 cm
Wolverhampton Arts and Heritage
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Eileen Cooper (b.1953)
Oil on canvas
H 168.5 x W 126.5 cm
Wolverhampton Arts and Heritage
I Can Paint a Picture with a Pin, 2006
Barbara Walker (b.1964)
Digital print on paper
H 107 x W 81 cm
Wolverhampton Arts and Heritage