How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
In 1915 Roger Fry stayed at Roquebrune near Menton, the subject of this view. This painting was presumably begun there and finished at home in 1916, as in that year he travelled no further than Paris. The pleasures of this landscape may be seen as a refuge from the scenes of war-time devastation Fry had just witnessed in the Marne and Meuse area. He wrote: ‘...went to see the Quaker relief work [which his sister Margery Fry was directing] ...then went south and painted. I find it’s the only thing to do. I’m no good at philanthropy...’ Fry was apparently encouraged to use this bright palette by the Belgian artist Jan Vanden Eeckhoudt, friend and neighbour of Fry’s hosts at Roquebrune, the painter Simon Bussy and his wife Dorothy Strachey.
The Courtauld, London (Samuel Courtauld Trust)
London
Title
View on the Côte d'Azur, Menton
Date
1916
Medium
oil on canvas
Measurements
H 58.8 x W 76.5 cm
Accession number
P.1958.PD.145
Acquisition method
gift from Mrs Pamela Diamand, 1958
Work type
Painting