How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
The scene depicted in this painting of Tynemouth Castle dates from a period earlier than when the artist was active – the lighthouse on the headland had gone by then – and it may be that Shotton copied this from a contemporary painting or print. Born in North Shields, James Shotton displayed a talent for drawing from an early age and attended the Royal Academy Schools, where he became a close friend of William Holman Hunt. On the death of his father he returned to North Shields, and designed for the town what is believed to be the first Turkish Bath in England; he designed a second one in North Shields, and one in Newcastle. He resumed his artistic studies, and gained a reputation particularly as a portrait painter. He rarely exhibited his work, but one of his portraits of the noted North Shields mathematician and musicologist Wesley Stoker Barker Woolhouse (part of the Collection) was accepted by the Royal Academy in 1863.
Shotton is the artist best represented in the Collection, with 18 paintings forming the 'Shotton Bequest'. His subjects range widely and include North East scenes, portraits of civic dignitaries, and work inspired by Renaissance artists. He was associated with the Cullercoats Artists' Colony.
Title
Tynemouth Castle
Medium
oil on canvas
Measurements
H 35 x W 50 cm
Accession number
PCF19
Work type
Painting