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Redpath wrote to Borchard: ‘... a self portrait in oil of me about 20-odd years ago. As you can imagine at 69 I don’t look like the portrait now, but it isn’t bad (I think)’ On the side of the letter is a crucial afterthought: ‘the date would have to be marked as I shouldn’t like anyone to think I paint myself 20 years younger.’ During the 1920s, Redpath and her architect husband settled in the south of France. In 1934, her marriage over, she returned to live in Scotland, and paint full-time. Around 1942 she started painting still life masterpieces. Close observation dispels any initial impression of severity. The glossy black hair contains some hints of blue and pink paint, as though even its dark sobriety was shot through with ‘colours’.