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Giovanni Battista Tiepolo

1696–1770

(b Venice, 5 Mar. 1696; d Madrid, 27 Mar. 1770). Venetian painter, draughtsman, and etcher. He was the greatest Italian (and arguably the greatest European) painter of the 18th century, his work bringing to a glorious conclusion the Italian tradition of fresco decoration begun by Giotto 400 years earlier.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

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A young Woman with a Macaw late 1760 Giovanni Battista Tiepolo (1696–1770)

A young Woman with a Macaw late 1760 Ashmolean Museum, Oxford
Figures Worshipping a Pagan Idol c.1725–c.1728 Giovanni Battista Tiepolo (1696–1770)

Figures Worshipping a Pagan Idol c.1725–c.1728 The Courtauld, London (Samuel Courtauld Trust)
Ballroom Scene (recto); Study of a Carriage (verso) c.1757 Giovanni Battista Tiepolo (1696–1770)

Ballroom Scene (recto); Study of a Carriage (verso) c.1757 The Courtauld, London (Samuel Courtauld Trust)
The Rape of Europa c.1743 Giovanni Battista Tiepolo (1696–1770)

The Rape of Europa c.1743 National Galleries of Scotland: National
Martyrdom of Saint Agatha c.1734 Giovanni Battista Tiepolo (1696–1770)

Martyrdom of Saint Agatha c.1734 The Courtauld, London (Samuel Courtauld Trust)
Saint Charles Borromeo Meditating on the Crucifix 1767 Giovanni Battista Tiepolo (1696–1770)

Saint Charles Borromeo Meditating on the Crucifix 1767 The Courtauld, London (Samuel Courtauld Trust)
Allegory of the Power of Eloquence c.1725 Giovanni Battista Tiepolo (1696–1770)

Allegory of the Power of Eloquence c.1725 The Courtauld, London (Samuel Courtauld Trust)
Saint Aloysius Gonzaga in Glory c.1726 Giovanni Battista Tiepolo (1696–1770)

Saint Aloysius Gonzaga in Glory c.1726 The Courtauld, London (Samuel Courtauld Trust)
Virgin and Child with an Angel c.1725–1728 Giovanni Battista Tiepolo (1696–1770)

Virgin and Child with an Angel c.1725–1728 The Courtauld, London (Samuel Courtauld Trust)
Immaculate Conception 1767 Giovanni Battista Tiepolo (1696–1770)

Immaculate Conception 1767 The Courtauld, London (Samuel Courtauld Trust)
Death Giving Audience 1743 Giovanni Battista Tiepolo (1696–1770) and Anton Maria Zanetti the elder (1680–1757)

Death Giving Audience 1743 The Courtauld, London (Samuel Courtauld Trust)
The Meeting of Anthony and Cleopatra c.1747 Giovanni Battista Tiepolo (1696–1770)

The Meeting of Anthony and Cleopatra c.1747 National Galleries of Scotland: National
Joseph Receiving Pharaoh's Ring c.1733–1735 Giovanni Battista Tiepolo (1696–1770)

Joseph Receiving Pharaoh's Ring c.1733–1735 Dulwich Picture Gallery
Punchinello Standing 1740s Giovanni Battista Tiepolo (1696–1770)

Punchinello Standing 1740s The Courtauld, London (Samuel Courtauld Trust)
Stigmatization of Saint Francis 1767 Giovanni Battista Tiepolo (1696–1770)

Stigmatization of Saint Francis 1767 The Courtauld, London (Samuel Courtauld Trust)
Two Heads of Angels 1767 Giovanni Battista Tiepolo (1696–1770)

Two Heads of Angels 1767 The Courtauld, London (Samuel Courtauld Trust)
Head of a Woman, Looking Up (recto); Torso of a Sleeping Male Figure (verso) c.1730 Giovanni Battista Tiepolo (1696–1770)

Head of a Woman, Looking Up (recto); Torso of a Sleeping Male Figure (verso) c.1730 The Courtauld, London (Samuel Courtauld Trust)
Apotheosis of a Venetian Hero c.1755–c.1760 Giovanni Battista Tiepolo (1696–1770)

Apotheosis of a Venetian Hero c.1755–c.1760 The Courtauld, London (Samuel Courtauld Trust)
Interior of the Redentore, Venice, with Figures 1746 or 1766 Antonio Visentini (1688–1782) and Francesco Zuccarelli (1702–1788) and Giovanni Battista Tiepolo (1696–1770)

Interior of the Redentore, Venice, with Figures 1746 or 1766 The Courtauld, London (Samuel Courtauld Trust)
The Harnessing of the Horses of the Sun c.1731–1736 Giovanni Battista Tiepolo (1696–1770)

The Harnessing of the Horses of the Sun c.1731–1736 The Bowes Museum