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Sebastiano Ricci

1659–1734

(bapt. Belluno, 1 Aug. 1659; d Venice, 15 May 1734). Italian decorative painter. He was born in the Veneto and is considered a member of the Venetian School, but before he settled permanently in Venice in 1717 he led a peripatetic life, working in numerous Italian cities and also in England, Flanders, France, and Germany.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 47 artworks

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Diana and Endymion c.1716 Sebastiano Ricci (1659–1734)

Diana and Endymion c.1716 English Heritage, Kenwood
Bacchus and Ariadne 1700–1725 Sebastiano Ricci (1659–1734)

Bacchus and Ariadne 1700–1725 Chiswick House
Venus and Cupid 1700–1725 Sebastiano Ricci (1659–1734)

Venus and Cupid 1700–1725 Chiswick House
Cupid and Flowers 1699/c.1729 Sebastiano Ricci (1659–1734) and Jean-Baptiste Monnoyer (1636–1699)

Cupid and Flowers 1699/c.1729 Chiswick House
The Judgement of Midas c.1700 Sebastiano Ricci (1659–1734)

The Judgement of Midas c.1700 Christ Church, University of Oxford
The Building of a Classical Temple in a Landscape Sebastiano Ricci (1659–1734) and Marco Ricci (1676–1730)

The Building of a Classical Temple in a Landscape Christ Church, University of Oxford
The Nativity Sebastiano Ricci (1659–1734)

The Nativity Lamport Hall
Cupid before Jupiter (Central Section) 1713–1715 Sebastiano Ricci (1659–1734)

Cupid before Jupiter (Central Section) 1713–1715 Royal Academy of Arts
Christ and the Woman of Samaria Sebastiano Ricci (1659–1734)

Christ and the Woman of Samaria Sheffield Museums
Landscape with Monks c.1705 Marco Ricci (1676–1730) and Sebastiano Ricci (1659–1734)

Landscape with Monks c.1705 National Galleries of Scotland: National
Design for an Altarpiece Sebastiano Ricci (1659–1734)

Design for an Altarpiece Cornwall Museum and Art Gallery
Labours of Hercules c.1712 Sebastiano Ricci (1659–1734)

Labours of Hercules c.1712 Lady Lever Art Gallery
Hiero of Syracuse Calling upon Archimedes to Fortify the City c.1700 Sebastiano Ricci (1659–1734)

Hiero of Syracuse Calling upon Archimedes to Fortify the City c.1700 The Higgins Bedford
Triumph of Galatea 1713–1715 Sebastiano Ricci (1659–1734)

Triumph of Galatea 1713–1715 Royal Academy of Arts
Diana and Her Nymphs Bathing 1713–1715 Sebastiano Ricci (1659–1734)

Diana and Her Nymphs Bathing 1713–1715 Royal Academy of Arts
Cupid before Jupiter (Lion Section) 1713–1715 Sebastiano Ricci (1659–1734)

Cupid before Jupiter (Lion Section) 1713–1715 Royal Academy of Arts
The Ascension of Christ Sebastiano Ricci (1659–1734)

The Ascension of Christ Shipley Art Gallery
The Return of the Prodigal Son Sebastiano Ricci (1659–1734)

The Return of the Prodigal Son National Trust, Osterley Park
Cupid before Jupiter (Stag Section) 1713–1715 Sebastiano Ricci (1659–1734)

Cupid before Jupiter (Stag Section) 1713–1715 Royal Academy of Arts
Bacchus and Ceres before 1720 Sebastiano Ricci (1659–1734)

Bacchus and Ceres before 1720 The Fitzwilliam Museum
The Adoration of the Magi Sebastiano Ricci (1659–1734)

The Adoration of the Magi Lamport Hall
The Fall of the Rebel Angels c.1717–1718 Sebastiano Ricci (1659–1734)

The Fall of the Rebel Angels c.1717–1718 Dulwich Picture Gallery
Cupid before Jupiter (Horse Section) 1713–1715 Sebastiano Ricci (1659–1734)

Cupid before Jupiter (Horse Section) 1713–1715 Royal Academy of Arts
The Prodigal Son c.1712–1716 Sebastiano Ricci (1659–1734)

The Prodigal Son c.1712–1716 National Trust, Stourhead
Allegorical Tomb of the 1st Duke of Devonshire c.1725 Sebastiano Ricci (1659–1734)

Allegorical Tomb of the 1st Duke of Devonshire c.1725 The Barber Institute of Fine Arts
Archimedes and Hiero at the Siege of Syracuse Sebastiano Ricci (1659–1734)

Archimedes and Hiero at the Siege of Syracuse Ulster Museum
Labours of Hercules c.1712 Sebastiano Ricci (1659–1734)

Labours of Hercules c.1712 Lady Lever Art Gallery
Christ Healing the Lame Man at the Pool of Bethesda 1726–1730 Sebastiano Ricci (1659–1734)

Christ Healing the Lame Man at the Pool of Bethesda 1726–1730 National Trust, Knightshayes Court
The Resurrection c.1715–1716 Sebastiano Ricci (1659–1734)

The Resurrection c.1715–1716 Dulwich Picture Gallery
The Meeting of Bacchus and Ariadne 1713–1715 Sebastiano Ricci (1659–1734)

The Meeting of Bacchus and Ariadne 1713–1715 Royal Academy of Arts
Cupid before Jupiter (Tiger Section) 1713–1715 Sebastiano Ricci (1659–1734)

Cupid before Jupiter (Tiger Section) 1713–1715 Royal Academy of Arts
The Last Supper Sebastiano Ricci (1659–1734)

The Last Supper Worcester College, University of Oxford
Adoration of the Magi c.1726 Sebastiano Ricci (1659–1734)

Adoration of the Magi c.1726 The Courtauld, London (Samuel Courtauld Trust)
Christ Healing the Blind Man 1712–1716 Sebastiano Ricci (1659–1734)

Christ Healing the Blind Man 1712–1716 National Galleries of Scotland: National
Head of a man, profile right, with open mouth Sebastiano Ricci (1659–1734)

Head of a man, profile right, with open mouth The Fitzwilliam Museum
Fragments of Ricci's paintings at San Cosimo delle Monache in Venice 1775 Jean-Honoré Fragonard (1732–1806) and Sebastiano Ricci (1659–1734)

Fragments of Ricci's paintings at San Cosimo delle Monache in Venice 1775 The Fitzwilliam Museum
The Finding of Moses 1741 Sebastiano Ricci (1659–1734) and Paolo Veronese (1528–1588)

The Finding of Moses 1741 Ashmolean Museum, Oxford
Design for the frontispiece of Giacomo Leoni's 'The Architecture of Andrea Palladio' 1714 - 1715 Sebastiano Ricci (1659–1734)

Design for the frontispiece of Giacomo Leoni's 'The Architecture of Andrea Palladio' 1714 - 1715 Ashmolean Museum, Oxford
Bacchus and Ariadne probably 1700-10 Sebastiano Ricci (1659–1734)

Bacchus and Ariadne probably 1700-10 The National Gallery, London
Esther before Ahasuerus probably 1730-4 Sebastiano Ricci (1659–1734)

Esther before Ahasuerus probably 1730-4 The National Gallery, London