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Francisco de Goya

1746–1828

(Born Fuendetodos, nr. Saragossa, 30 March 1746; died Bordeaux, 16 April 1828). Spanish painter, printmaker and draughtsman. He was the most powerful and original European artist of his time, but his genius was slow in maturing and he was well into his thirties before he began producing work that set him apart from his contemporaries.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

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Boys Playing at See-Saw c.1775–1799 Francisco de Goya (1746–1828)

Boys Playing at See-Saw c.1775–1799 Pollok House
Equestrian Portrait of the 1st Duke of Wellington (1769–1852) 1812 Francisco de Goya (1746–1828)

Equestrian Portrait of the 1st Duke of Wellington (1769–1852) 1812 English Heritage, The Wellington Collection, Apsley House
Boys Playing at Soldiers c.1775–1799 Francisco de Goya (1746–1828)

Boys Playing at Soldiers c.1775–1799 Pollok House
Interior of a Prison c.1793–1794 Francisco de Goya (1746–1828)

Interior of a Prison c.1793–1794 The Bowes Museum
Cantar y Bailar (Singing and Dancing) 1819–1820 Francisco de Goya (1746–1828)

Cantar y Bailar (Singing and Dancing) 1819–1820 The Courtauld, London (Samuel Courtauld Trust)
El Médico (The Doctor) 1779 Francisco de Goya (1746–1828)

El Médico (The Doctor) 1779 National Galleries of Scotland: National
Disparate de miedo c.1816–1823 Francisco de Goya (1746–1828)

Disparate de miedo c.1816–1823 The Higgins Bedford
Juan Antonio Meléndez Valdés (1774–1817) 1797 Francisco de Goya (1746–1828)

Juan Antonio Meléndez Valdés (1774–1817) 1797 The Bowes Museum
Don Francisco de Saavedra 1798 Francisco de Goya (1746–1828)

Don Francisco de Saavedra 1798 The Courtauld, London (Samuel Courtauld Trust)
Modo de Volar Francisco de Goya (1746–1828)

Modo de Volar The Fitzwilliam Museum
Disparate Alegre 1814 - 1819 Francisco de Goya (1746–1828)

Disparate Alegre 1814 - 1819 The Fitzwilliam Museum
Aveugle enlevé sur le cornes d’un Taureau 1880 Francisco de Goya (1746–1828)

Aveugle enlevé sur le cornes d’un Taureau 1880 The Fitzwilliam Museum
Un caballero español mata un toro despues de haber perdido el caballo. 1816 Francisco de Goya (1746–1828)

Un caballero español mata un toro despues de haber perdido el caballo. 1816 The Fitzwilliam Museum
Carlos V. lanceando un toro en la plaza de Valladolid. 1816 Francisco de Goya (1746–1828)

Carlos V. lanceando un toro en la plaza de Valladolid. 1816 The Fitzwilliam Museum
El diestrisímo estudiante de Falces, embozado burla al toro con sus quiebros. 1816 Francisco de Goya (1746–1828)

El diestrisímo estudiante de Falces, embozado burla al toro con sus quiebros. 1816 The Fitzwilliam Museum
Cogida de un Moro estando en la plaza 1816 Francisco de Goya (1746–1828)

Cogida de un Moro estando en la plaza 1816 The Fitzwilliam Museum
Mort de Pepe Illo (2e composition) 1876 Francisco de Goya (1746–1828)

Mort de Pepe Illo (2e composition) 1876 The Fitzwilliam Museum
"Desjarrete" de la canaille avec leurs lances banderillas, demi-lunes et autres armes. 1876 Francisco de Goya (1746–1828)

"Desjarrete" de la canaille avec leurs lances banderillas, demi-lunes et autres armes. 1876 The Fitzwilliam Museum
Le même Ceballos monté sur un taureau brise des "rejoncillos" dans la place de Madrid. 1876 Francisco de Goya (1746–1828)

Le même Ceballos monté sur un taureau brise des "rejoncillos" dans la place de Madrid. 1876 The Fitzwilliam Museum
Los Moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el... 1816 Francisco de Goya (1746–1828)

Los Moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. 1816 The Fitzwilliam Museum