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Jean-Auguste-Dominique Ingres

1780–1867

(b Montauban, 29 Aug. 1780; d Paris, 14 Jan. 1867). French painter, the son of a minor painter and sculptor, Jean-Marie-Joseph Ingres (1755–1814). After early training in the Toulouse Academy he moved to Paris in 1797 to study in Jacques-Louis David's studio.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 29 artworks

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A Sleeping Odalisque 1830s Jean-Auguste-Dominique Ingres (1780–1867)

A Sleeping Odalisque 1830s Victoria and Albert Museum
Henry IV, the Dauphin and the Spanish Ambassador c.1817 Jean-Auguste-Dominique Ingres (1780–1867)

Henry IV, the Dauphin and the Spanish Ambassador c.1817 Victoria and Albert Museum
'La Belle Ferronnière' c.1802–1806 Jean-Auguste-Dominique Ingres (1780–1867)

'La Belle Ferronnière' c.1802–1806 The Barber Institute of Fine Arts
Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome 1816 Jean-Auguste-Dominique Ingres (1780–1867)

Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome 1816 The Fitzwilliam Museum
Study for the Figure of Phidias in 'The Apotheosis of Homer' Jean-Auguste-Dominique Ingres (1780–1867)

Study for the Figure of Phidias in 'The Apotheosis of Homer' The Fitzwilliam Museum
Paolo and Francesca c.1814–c.1820 Jean-Auguste-Dominique Ingres (1780–1867)

Paolo and Francesca c.1814–c.1820 The Barber Institute of Fine Arts
A Nymph c.1802–1806 Jean-Auguste-Dominique Ingres (1780–1867)

A Nymph c.1802–1806 The Fitzwilliam Museum
A Nymph c.1802–1806 Jean-Auguste-Dominique Ingres (1780–1867)

A Nymph c.1802–1806 The Fitzwilliam Museum
Idealised Portrait of Benoît-Joseph Labre called Saint Labre 1815 Jean-Auguste-Dominique Ingres (1780–1867)

Idealised Portrait of Benoît-Joseph Labre called Saint Labre 1815 The Schorr Collection
Maréchale Kutuzov (1745–1813) 1815 Jean-Auguste-Dominique Ingres (1780–1867)

Maréchale Kutuzov (1745–1813) 1815 The Fitzwilliam Museum
Recto: Three-quarter-length portrait of Jean-François-Antoine Forest (Verso: a mutilated lithograph of two ladies and three children in a... 1823 Jean-Auguste-Dominique Ingres (1780–1867)

Recto: Three-quarter-length portrait of Jean-François-Antoine Forest (Verso: a mutilated lithograph of two ladies and three children in a carriage, by Ridolphi) 1823 Ashmolean Museum, Oxford
Two drapery studies for figures walking to the left 1848 - 1852 Jean-Auguste-Dominique Ingres (1780–1867)

Two drapery studies for figures walking to the left 1848 - 1852 Ashmolean Museum, Oxford
Study for the head of Zeus in 'Zeus and Thetis' Jean-Auguste-Dominique Ingres (1780–1867)

Study for the head of Zeus in 'Zeus and Thetis' The Fitzwilliam Museum
Portrait of a woman Jean-Auguste-Dominique Ingres (1780–1867)

Portrait of a woman The Fitzwilliam Museum
Recto: Half-length portrait of Ingres Verso: Head of the Virgin with hands raised in worship 1835 - 1850 Jean-Auguste-Dominique Ingres (1780–1867)

Recto: Half-length portrait of Ingres Verso: Head of the Virgin with hands raised in worship 1835 - 1850 Ashmolean Museum, Oxford
Drapery study for a woman, standing with arms raised 1853 - 1854 Jean-Auguste-Dominique Ingres (1780–1867)

Drapery study for a woman, standing with arms raised 1853 - 1854 Ashmolean Museum, Oxford
A drapery study for a figure reclining to right 1811 - 1815 Jean-Auguste-Dominique Ingres (1780–1867)

A drapery study for a figure reclining to right 1811 - 1815 Ashmolean Museum, Oxford
Portrait head of a man in profile 1796 - 1797 Jean-Auguste-Dominique Ingres (1780–1867)

Portrait head of a man in profile 1796 - 1797 Ashmolean Museum, Oxford
Study for the right hand of Madame Moitessier (in the National Gallery) Jean-Auguste-Dominique Ingres (1780–1867)

Study for the right hand of Madame Moitessier (in the National Gallery) The Fitzwilliam Museum
Portrait of Charles Robert Cockerell 1817 Jean-Auguste-Dominique Ingres (1780–1867)

Portrait of Charles Robert Cockerell 1817 Ashmolean Museum, Oxford