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Notes

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This small and intimate painting is a cabinet picture intended for private domestic display rather than public exhibition. It illustrates a story from Metamorphoses, the epic poem by the Roman poet Ovid. The wood nymph Syrinx is chased by the god Pan to the river Ladon, where she begs one of the river nymphs to disguise her by changing her shape. The river nymph, with her back towards us, obliges by transforming Syrinx into reeds.

Boucher uses fluid brushstrokes to create a surface that has an almost jewel-like brilliance. The blues and greens complement the fleshy pinks of the women, who seem to glow against their dark surroundings. The painting’s mix of hedonism, overt eroticism and ambiguous sexuality may have particularly appealed to the libertine tastes of the royal court before the arrival of a more moralising tone in both art and art criticism in the 1760s.

The National Gallery, London

London

Title

Pan and Syrinx

Date

1759

Medium

Oil on canvas

Measurements

H 32.4 x W 41.9 cm

Accession number

NG1090

Acquisition method

Presented by Mrs Robert Hollond, 1880

Work type

Painting

The National Gallery, London

Trafalgar Square, London, Greater London WC2N 5DN England

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Artist or maker

François Boucher

1703–1770

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