How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
During his tragically brief six-year career, Rotimi Fani-Kayode produced a complex body of photographic work, exploring themes of race, sexuality, spirituality, and the self. His masterfully staged and crafted portraits, stand as powerful, resolutely ambiguous, visual statements. Fani-Kayode was born in Lagos, Nigeria to a prominent Yorùbá family before moving to England following the outbreak of civil war. He later studied in the USA, before settling permanently in London where he lived and worked until his untimely death in 1989. At the core of Fani-Kayode's work is an important emphasis on the cultural politics of difference. A prominent figure in the Black British art scene, he was one of the first chairs of Autograph and a founding signatory in 1988.
Title
Nothing to Lose I
Date
1989
Medium
archival C-type print
Measurements
H 50.7 x W 68.8 cm
Accession number
LDAUT.PR.2761.RFK
Work type
Photograph