How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
The signature Ya Sahib al- Zaman ('O Lord of Time'), an invocation to the twelfth Shi'ite imam, was used as a crypto-signature by the painter Muhammad Zaman, who flourished under the Safavid ruler Shah Sulayman I (r.1666–1694). He was probably the most important of a group of later Safavid painters who practised a highly eclectic style, often with subjects drawn from European paintings. Six of his compositions on biblical subjects survive from the years 1678 and 1689. It had been suggested that the composition was drawn after a print of Judith by the Bolognese painter, Guido Reni. Although there is a certain resemblance in her stance, there are many differences. The stance of Judith, with her sword in her right hand gazing upwards to the right, on the other hand, is almost exactly that of the figure in an etching in the Albertina in Vienna, by or after Mantegna.
Title
Judith with the Severed Head of Holofernes
Date
c.1680
Medium
ink, gold & opaque watercolour on paper, mounted as an album page on card
Accession number
314
Work type
Drawing