How you can use this image

This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).

Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.

The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.

Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.

Notes

Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

This photograph is from a series of nine self-portraits made in 1990, in which Gregory depicts fragments of her upper body, face and hands, playfully moving in and out of the frame. Through close-up confrontation with the photographic lens, she investigates concepts of beauty, femininity and politics associated with the portrayal of identity. Gregory said of this work: ''Autoportrait' was my response to the invisibility, beyond the exotic, of black women in British fashion and beauty images. Among all the self-portraits I've made, it’s the only series in which the body alone is its focus. The intention is to conjure up the mood of the catwalk – all fantasy and glamour – a world from which me and my kind had been almost totally excluded.