How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
This picture-within-a-picture shows a naval cadet of about 1890 looking at what is perhaps the most famous image of Nelson, painted by Lemuel Abbott (see BHC2889) in the Naval Gallery in the Painted Hall of Greenwich Hospital, to which it was presented in 1849. Nelson was regarded as the greatest British naval hero and so the narrative of the painting indicates that he is perceived as the real subject of the picture, conveying a patriotic message to the boy and the viewer. The young woman with her arm on the boy's shoulder, possibly his mother, indicates what is expected of him as a young naval cadet through the example of Nelson. Nelson, through his likeness, spurs on subsequent generations to future deeds of greatness. These aspirations appear to be accepted by the woman, child and viewer, which is appropriate to the period in which this painting was produced.
The other two paintings in the picture are also of Nelsonic subjects and still in the care of the National Maritime Museum as part of the Greenwich Hospital collection. The large image to the left is the ' The Destruction of 'L'Orient' at the Battle of the Nile, 1 August 1798’, by George Arnald (BHC0509), and the other is 'Nelson in Conflict with a Spanish Launch, 3 July 1797’, by Richard Westall (BHC2908). Since all three paintings depicted demonstrate the suffering and bloodshed associated with warfare, and Nelson's heroism and fatal wounding at the Battle of Trafalgar, it is difficult for the modern viewer to approach Davidson's picture without a hint of irony. Consequently it is open to different readings.
Title
England's Pride and Glory
Date
1894
Medium
oil on canvas
Measurements
H 91.8 x W 71.1 cm
Accession number
BHC1811
Work type
Painting