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Polidoro da Caravaggio
c.1499–c.1543
(b Caravaggio, nr. Bergamo, c.1499; d Messina, ?1543). Italian painter, named after his birthplace in Lombardy. At an early age he moved to Rome, where he assisted Raphael in the decoration of the Vatican Loggie and then achieved great success painting palace façades with monochrome scenes imitating classical sculpture.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Saint Christopher c.1539/1540 Polidoro da Caravaggio (c.1499–c.1543)Saint Christopher c.1539/1540 Christ Church, University of Oxford
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David and Goliath c.1539/1540 Polidoro da Caravaggio (c.1499–c.1543)David and Goliath c.1539/1540 Christ Church, University of Oxford
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Incredulity of Saint Thomas 1531–1535 Polidoro da Caravaggio (c.1499–c.1543)Incredulity of Saint Thomas 1531–1535 The Courtauld, London (Samuel Courtauld Trust)
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Three Friezes of Grotesque Ornament Polidoro da Caravaggio (c.1499–c.1543)Three Friezes of Grotesque Ornament The Courtauld, London (Samuel Courtauld Trust)
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Studies of Saints and the Head of a Youth c.1527–1528 Polidoro da Caravaggio (c.1499–c.1543)Studies of Saints and the Head of a Youth c.1527–1528 The Fitzwilliam Museum
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Two Standing Male Figures Polidoro da Caravaggio (c.1499–c.1543)Two Standing Male Figures The Courtauld, London (Samuel Courtauld Trust)
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St James the Great expelling the Moors 1514–1543 Polidoro da Caravaggio (c.1499–c.1543)St James the Great expelling the Moors 1514–1543 Ashmolean Museum, Oxford -
Moses Telling the Israelites to Gather the Manna, and Moses Striking the Rock 1546 Parmigianino (1503–1540) and Polidoro da Caravaggio (c.1499–c.1543)Moses Telling the Israelites to Gather the Manna, and Moses Striking the Rock 1546 Ashmolean Museum, Oxford
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The statues of three ancient Romans 1660 Polidoro da Caravaggio (c.1499–c.1543)The statues of three ancient Romans 1660 Ashmolean Museum, Oxford
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Naval Battle 1530 - 1540 Master of the Die (active 1525–1560) and Polidoro da Caravaggio (c.1499–c.1543)Naval Battle 1530 - 1540 Ashmolean Museum, Oxford
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Plate 1: A vase with dancing nymphs holding hands, with a dedication to Cardinal Francisco Barberini, copy after Alberti, from Douce... 1615 - 1629 Aegidius Sadeler II (c.1570–1629) and Polidoro da Caravaggio (c.1499–c.1543) and Cherubino Alberti (1553–1615)Plate 1: A vase with dancing nymphs holding hands, with a dedication to Cardinal Francisco Barberini, copy after Alberti, from Douce Ornament Prints Album II 1615 - 1629 Ashmolean Museum, Oxford
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Sol 1592 Hendrick Goltzius (1558–1617) and Polidoro da Caravaggio (c.1499–c.1543)Sol 1592 The Fitzwilliam Museum
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Vase with Bull and Nude Men 1605 Aegidius Sadeler II (c.1570–1629) and Cherubino Alberti (1553–1615) and Polidoro da Caravaggio (c.1499–c.1543)Vase with Bull and Nude Men 1605 The Fitzwilliam Museum
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Cephalus and Procris 1660 Polidoro da Caravaggio (c.1499–c.1543)Cephalus and Procris 1660 The Fitzwilliam Museum
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Mercury 1592 Hendrick Goltzius (1558–1617) and Polidoro da Caravaggio (c.1499–c.1543)Mercury 1592 The Fitzwilliam Museum
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Vase with a Monster and Winged Females 1605 Aegidius Sadeler II (c.1570–1629) and Cherubino Alberti (1553–1615) and Polidoro da Caravaggio (c.1499–c.1543)Vase with a Monster and Winged Females 1605 The Fitzwilliam Museum
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Scipio, Wounded in the Battle of Tessin, is Taken to Safety by his Son Scipio Africanus. Polidoro da Caravaggio (c.1499–c.1543)Scipio, Wounded in the Battle of Tessin, is Taken to Safety by his Son Scipio Africanus. The Fitzwilliam Museum
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Two Men Supporting Entablatures 1538 Polidoro da Caravaggio (c.1499–c.1543)Two Men Supporting Entablatures 1538 The Fitzwilliam Museum
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Two Putti Supporting a Cartouche 1658 Polidoro da Caravaggio (c.1499–c.1543)Two Putti Supporting a Cartouche 1658 The Fitzwilliam Museum
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Trophies with a Helmet Surmounted by an Eagle 1656–1658 Polidoro da Caravaggio (c.1499–c.1543)Trophies with a Helmet Surmounted by an Eagle 1656–1658 The Fitzwilliam Museum
