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Notes
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His admiration for the work of artists like Gauguin and Cezanne is very clear from this brightly coloured painting. Individual shapes are clearly defined by a heavy outline. There are few changes in tone and very little use of shadowing or modelling of forms, emphasizing the two-dimensional nature of the picture surface.
He gradually moved towards a more conventional style of work where his use of colour was much more naturalistic and outline softer than in earlier paintings.
Title
Studland Bay, Dorset
Date
1911
Medium
oil on canvas
Measurements
H 62 x W 92 cm
Accession number
516
Acquisition method
gift from the Contemporary Art Society, 1924
Work type
Painting