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Gotlib studied at art schools in Cracow, Vienna and Munich. In Cornwall in 1939, the Jewish artist found himself unable to return to Poland when war broke out, and lived from then on in Britain. Gotlib wrote to Ruth Borchard: ‘I have found a self portrait painted between 1955–1956... it is a good work.’ His richly impastoed oil painting has roots in French painting, notably Gauguin, and in the Expressionism of Corinth but influences on his work always remain elusive. The self portrait shows a man of distinctive identity, but utterly immersed in nature. His posture is oddly asymmetric. His gait suggests he may be out walking vigorously. Background shapes suggest the form of a dense green tree. Vibrant reds, yellows, greens and blues may suggest contours and layers of hilly landscape.
His bodily presence is important, not the outward form. Composed of swathes of feathery brushstrokes, elements of leaves, bark, human flesh and clothes seem to be inter-connected, without sacrificing distinctive elements.
In a 1957 essay, he wrote: ‘The only thing I am sure of is the reality of colour.’
Title
Self Portrait
Date
1955–1956
Medium
oil on canvas
Measurements
H 76 x W 51 cm
Accession number
PCF40
Acquisition method
acquired by Ruth Borchard as part of the original collection
Work type
Painting