- Artist: Tintoretto, Domenico, 1560–1635 Remove
- Save search
Domenico Tintoretto
1560–1635
-
Portrait of a Man c. 1589 Domenico Tintoretto (1560–1635)Portrait of a Man c. 1589 Ashmolean Museum, Oxford
-
Study of a Male Nude from Behind Domenico Tintoretto (1560–1635)Study of a Male Nude from Behind The Fitzwilliam Museum
-
Study of a Seated Male Nude Domenico Tintoretto (1560–1635)Study of a Seated Male Nude The Fitzwilliam Museum
-
Study of a Kneeling Male Nude with Arms Outstretched Domenico Tintoretto (1560–1635)Study of a Kneeling Male Nude with Arms Outstretched The Fitzwilliam Museum
-
Adoration of the Shepherds c.1578 Domenico Tintoretto (1560–1635) and Jacopo Tintoretto (c.1518–1594)Adoration of the Shepherds c.1578 The Courtauld, London (Samuel Courtauld Trust)
-
Compositional Study Domenico Tintoretto (1560–1635)Compositional Study The Fitzwilliam Museum
-
Man Seated Domenico Tintoretto (1560–1635)Man Seated The Courtauld, London (Samuel Courtauld Trust)
-
Study of Two Figures Domenico Tintoretto (1560–1635)Study of Two Figures The Fitzwilliam Museum
-
Study for a Figure in 'The Adoration of the Golden Calf' Domenico Tintoretto (1560–1635)Study for a Figure in 'The Adoration of the Golden Calf' The Fitzwilliam Museum
-
Christ Handing the Keys to Saint Peter Domenico Tintoretto (1560–1635)Christ Handing the Keys to Saint Peter The Fitzwilliam Museum
-
Seated Male Nude Domenico Tintoretto (1560–1635)Seated Male Nude The Fitzwilliam Museum
-
Compositional study for the Virgin and Child with Saints and Doge Marino Grimani in Adoration 1595 Domenico Tintoretto (1560–1635)Compositional study for the Virgin and Child with Saints and Doge Marino Grimani in Adoration 1595 Ashmolean Museum, Oxford -
Composition of nude Figures 1590 - 1620 Domenico Tintoretto (1560–1635)Composition of nude Figures 1590 - 1620 Ashmolean Museum, Oxford
-
St Jerome in his cell, beating his chest before a crucifix, a skull behind him and his lion at his feet Domenico Tintoretto (1560–1635)St Jerome in his cell, beating his chest before a crucifix, a skull behind him and his lion at his feet The Fitzwilliam Museum
-
The Head of the Priest in the Tintorettos' Painting of 'The Circumcision' 1869 John Ruskin (1819–1900) and Jacopo Tintoretto (c.1518–1594) and Domenico Tintoretto (1560–1635)The Head of the Priest in the Tintorettos' Painting of 'The Circumcision' 1869 Ashmolean Museum, Oxford
-
Portrait of a Gentleman about 1590-1600 Domenico Tintoretto (1560–1635)Portrait of a Gentleman about 1590-1600 The National Gallery, London
-
The Comiciro/Comero Family Adoring the Madonna and Child c.1600 Domenico Tintoretto (1560–1635) (attributed to)The Comiciro/Comero Family Adoring the Madonna and Child c.1600 National Trust, Kingston Lacy
-
The Comiciro/Comero Family Adoring the Madonna and Child c.1600 Domenico Tintoretto (1560–1635) (attributed to)The Comiciro/Comero Family Adoring the Madonna and Child c.1600 National Trust, Kingston Lacy
-
Crucifixion Domenico Tintoretto (1560–1635) (after)Crucifixion Brighton & Hove Museums
-
A Man Half Kneeling, Holding a Staff Domenico Tintoretto (1560–1635) (possibly)A Man Half Kneeling, Holding a Staff The Fitzwilliam Museum
