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John Martin

1789–1854

(b Haydon Bridge, Northumberland, 19 July 1789; d Douglas, Isle of Man, 17 Feb. 1854). English Romantic painter and mezzotint engraver, celebrated for his melodramatic scenes of cataclysmic events crowded with tiny figures placed in vast architectural or landscape settings.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 102 artworks

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Adam's First Sight of Eve 1812 John Martin (1789–1854)

Adam's First Sight of Eve 1812 Glasgow Museums Resource Centre (GMRC)
The Isle of Man 1848–1854 John Martin (1789–1854)

The Isle of Man 1848–1854 Ashmolean Museum, Oxford
Joshua commanding the Sun to stand still John Martin (1789–1854)

Joshua commanding the Sun to stand still Ashmolean Museum, Oxford
Distant View of London 1815 John Martin (1789–1854)

Distant View of London 1815 Glasgow Museums Resource Centre (GMRC)
Mountain Landscape with Rocks c.1851 John Martin (1789–1854)

Mountain Landscape with Rocks c.1851 Victoria and Albert Museum
Shore Scene, Evening John Martin (1789–1854)

Shore Scene, Evening Victoria and Albert Museum
Adam Listening to the Voice of God the Almighty c.1823–1827 John Martin (1789–1854)

Adam Listening to the Voice of God the Almighty c.1823–1827 Victoria and Albert Museum
Battle Scene: The Fire-Worshippers 1837 John Martin (1789–1854)

Battle Scene: The Fire-Worshippers 1837 Torre Abbey Museum
Kensington Gardens 1815 John Martin (1789–1854)

Kensington Gardens 1815 Yale Center for British Art
The Paradise Lost – Plate 4 1825 John Martin (1789–1854)

The Paradise Lost – Plate 4 1825 Touchstones Rochdale
The Paradise Lost – Plate 8 1825 John Martin (1789–1854)

The Paradise Lost – Plate 8 1825 Touchstones Rochdale
Belshazzar's Feast 1820 John Martin (1789–1854)

Belshazzar's Feast 1820 Yale Center for British Art
Illustrations to Paradise Lost: Approach of the Archangel Michael 1826 John Martin (1789–1854) and Septimus Prowett (before 1820–1867)

Illustrations to Paradise Lost: Approach of the Archangel Michael 1826 Royal Watercolour Society
The Deluge 1834 John Martin (1789–1854)

The Deluge 1834 Yale Center for British Art
View of the Entrance of Carisbrooke Castle, Isle of Wight 1815 John Martin (1789–1854)

View of the Entrance of Carisbrooke Castle, Isle of Wight 1815 Laing Art Gallery
Solitude 1843 John Martin (1789–1854)

Solitude 1843 Laing Art Gallery
Edwin and Angelina 1816 John Martin (1789–1854)

Edwin and Angelina 1816 Laing Art Gallery
The Destruction of Sodom and Gomorrah 1852 John Martin (1789–1854)

The Destruction of Sodom and Gomorrah 1852 Laing Art Gallery
Approach of the Archangel Michael 1826 John Martin (1789–1854) and Septimus Prowett (before 1820–1867) and Chatfield & Co. (1825–1827)

Approach of the Archangel Michael 1826 The Courtauld, London (Samuel Courtauld Trust)
The Destruction of Herculaneum and Pompeii John Martin (1789–1854)

The Destruction of Herculaneum and Pompeii Tabley House