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Bernardo Bellotto

1722–1780

(b Venice, 30 Jan. 1721; d Warsaw, 17 Nov. 1780). Italian painter, draughtsman, and etcher, nephew, pupil, and assistant of Canaletto in Venice. He became a member of the Venetian painters' guild in 1738 and in the 1740s he travelled widely in Italy, painting views of Florence, Rome, and other cities.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 21 artworks

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Capriccio with Two Bridges and Figures c.1740–1747 Bernardo Bellotto (1722–1780)

Capriccio with Two Bridges and Figures c.1740–1747 Victoria and Albert Museum
The Fortress of Königstein from the North c.1756–1758 Bernardo Bellotto (1722–1780)

The Fortress of Königstein from the North c.1756–1758 The National Gallery, London
View of Verona from the Ponte Nuovo 1745–1747 Bernardo Bellotto (1722–1780)

View of Verona from the Ponte Nuovo 1745–1747 National Trust, Powis Castle
Entrance to the Grand Canal, Venice Bernardo Bellotto (1722–1780)

Entrance to the Grand Canal, Venice The Fitzwilliam Museum
The Fortress of Konigstein: Courtyard with the Brunnenhaus c.1756–1758 Bernardo Bellotto (1722–1780)

The Fortress of Konigstein: Courtyard with the Brunnenhaus c.1756–1758 Manchester Art Gallery
The Piazza San Martino, Lucca Bernardo Bellotto (1722–1780)

The Piazza San Martino, Lucca York Art Gallery
The Tower of Malghera c.1743 Bernardo Bellotto (1722–1780)

The Tower of Malghera c.1743 Bristol Museum & Art Gallery
The Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome c.1742 Bernardo Bellotto (1722–1780)

The Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome c.1742 National Trust, Petworth House
Campo San Stin, Venice Bernardo Bellotto (1722–1780)

Campo San Stin, Venice National Trust, Penrhyn Castle
Capriccio: The Lagoon, Venice c.1743 Bernardo Bellotto (1722–1780)

Capriccio: The Lagoon, Venice c.1743 Bristol Museum & Art Gallery
The Arno in Florence with the Ponte Vecchio c.1745 Bernardo Bellotto (1722–1780)

The Arno in Florence with the Ponte Vecchio c.1745 The Fitzwilliam Museum
The Arno in Florence with the Ponte alla Carraia c.1745 Bernardo Bellotto (1722–1780)

The Arno in Florence with the Ponte alla Carraia c.1745 The Fitzwilliam Museum
The Fortress of Konigstein: Courtyard with the Magdalenenburg 1756–1758 Bernardo Bellotto (1722–1780)

The Fortress of Konigstein: Courtyard with the Magdalenenburg 1756–1758 Manchester Art Gallery
Venice 1700–1725 Bernardo Bellotto (1722–1780)

Venice 1700–1725 English Heritage, Audley End House
Venice: Upper Reaches of the Grand Canal facing Santa Croce perhaps 1740s Bernardo Bellotto (1722–1780)

Venice: Upper Reaches of the Grand Canal facing Santa Croce perhaps 1740s The National Gallery, London
Standing Man, Viewed from the Front (recto) c.1743 Bernardo Bellotto (1722–1780) (attributed to)

Standing Man, Viewed from the Front (recto) c.1743 The Courtauld, London (Samuel Courtauld Trust)
Standing Man, Viewed from Behind (verso) c.1743 Bernardo Bellotto (1722–1780) (attributed to)

Standing Man, Viewed from Behind (verso) c.1743 The Courtauld, London (Samuel Courtauld Trust)
Ruins and Figures, Outskirts of Rome near the Tomb of Cecilia Metella c.1750–1775 Bernardo Bellotto (1722–1780) (attributed to)

Ruins and Figures, Outskirts of Rome near the Tomb of Cecilia Metella c.1750–1775 Shipley Art Gallery
The Neustädter Markt in Dresden Bernardo Bellotto (1722–1780) (after)

The Neustädter Markt in Dresden Thirlestane Castle
The Altmark, Dresden, from Schlossstrasse Bernardo Bellotto (1722–1780) (after)

The Altmark, Dresden, from Schlossstrasse Thirlestane Castle
A Caprice Landscape with Ruins 1740-1800 Bernardo Bellotto (1722–1780) (style of)

A Caprice Landscape with Ruins 1740-1800 The National Gallery, London