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Giovanni Battista Tiepolo

1696–1770

(b Venice, 5 Mar. 1696; d Madrid, 27 Mar. 1770). Venetian painter, draughtsman, and etcher. He was the greatest Italian (and arguably the greatest European) painter of the 18th century, his work bringing to a glorious conclusion the Italian tradition of fresco decoration begun by Giotto 400 years earlier.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

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A young Woman with a Macaw late 1760 Giovanni Battista Tiepolo (1696–1770)

A young Woman with a Macaw late 1760 Ashmolean Museum, Oxford
The Meeting of Anthony and Cleopatra c.1747 Giovanni Battista Tiepolo (1696–1770)

The Meeting of Anthony and Cleopatra c.1747 National Galleries of Scotland: National
The Rape of Europa c.1743 Giovanni Battista Tiepolo (1696–1770)

The Rape of Europa c.1743 National Galleries of Scotland: National
Immaculate Conception 1767 Giovanni Battista Tiepolo (1696–1770)

Immaculate Conception 1767 The Courtauld, London (Samuel Courtauld Trust)
Allegory of the Power of Eloquence c.1725 Giovanni Battista Tiepolo (1696–1770)

Allegory of the Power of Eloquence c.1725 The Courtauld, London (Samuel Courtauld Trust)
Saint Charles Borromeo Meditating on the Crucifix 1767 Giovanni Battista Tiepolo (1696–1770)

Saint Charles Borromeo Meditating on the Crucifix 1767 The Courtauld, London (Samuel Courtauld Trust)
Death Giving Audience 1743 Giovanni Battista Tiepolo (1696–1770) and Anton Maria Zanetti the elder (1680–1757)

Death Giving Audience 1743 The Courtauld, London (Samuel Courtauld Trust)
Virgin and Child with an Angel c.1725–1728 Giovanni Battista Tiepolo (1696–1770)

Virgin and Child with an Angel c.1725–1728 The Courtauld, London (Samuel Courtauld Trust)
Saint Aloysius Gonzaga in Glory c.1726 Giovanni Battista Tiepolo (1696–1770)

Saint Aloysius Gonzaga in Glory c.1726 The Courtauld, London (Samuel Courtauld Trust)
Martyrdom of Saint Agatha c.1734 Giovanni Battista Tiepolo (1696–1770)

Martyrdom of Saint Agatha c.1734 The Courtauld, London (Samuel Courtauld Trust)
Ballroom Scene (recto); Study of a Carriage (verso) c.1757 Giovanni Battista Tiepolo (1696–1770)

Ballroom Scene (recto); Study of a Carriage (verso) c.1757 The Courtauld, London (Samuel Courtauld Trust)
Figures Worshipping a Pagan Idol c.1725–c.1728 Giovanni Battista Tiepolo (1696–1770)

Figures Worshipping a Pagan Idol c.1725–c.1728 The Courtauld, London (Samuel Courtauld Trust)
Joseph Receiving Pharaoh's Ring c.1733–1735 Giovanni Battista Tiepolo (1696–1770)

Joseph Receiving Pharaoh's Ring c.1733–1735 Dulwich Picture Gallery
Head of a Woman, Looking Up (recto); Torso of a Sleeping Male Figure (verso) c.1730 Giovanni Battista Tiepolo (1696–1770)

Head of a Woman, Looking Up (recto); Torso of a Sleeping Male Figure (verso) c.1730 The Courtauld, London (Samuel Courtauld Trust)
Apotheosis of a Venetian Hero c.1755–c.1760 Giovanni Battista Tiepolo (1696–1770)

Apotheosis of a Venetian Hero c.1755–c.1760 The Courtauld, London (Samuel Courtauld Trust)
Punchinello Standing 1740s Giovanni Battista Tiepolo (1696–1770)

Punchinello Standing 1740s The Courtauld, London (Samuel Courtauld Trust)
Interior of the Redentore, Venice, with Figures 1746 or 1766 Antonio Visentini (1688–1782) and Francesco Zuccarelli (1702–1788) and Giovanni Battista Tiepolo (1696–1770)

Interior of the Redentore, Venice, with Figures 1746 or 1766 The Courtauld, London (Samuel Courtauld Trust)
Stigmatization of Saint Francis 1767 Giovanni Battista Tiepolo (1696–1770)

Stigmatization of Saint Francis 1767 The Courtauld, London (Samuel Courtauld Trust)
Two Heads of Angels 1767 Giovanni Battista Tiepolo (1696–1770)

Two Heads of Angels 1767 The Courtauld, London (Samuel Courtauld Trust)
Toilet of Venus Giovanni Battista Tiepolo (1696–1770)

Toilet of Venus The Box, Plymouth
Diana, Apollo and Nymphs c.1750 Giovanni Battista Tiepolo (1696–1770)

Diana, Apollo and Nymphs c.1750 Dulwich Picture Gallery
The Assumption of the Virgin c.1735 Giovanni Battista Tiepolo (1696–1770)

The Assumption of the Virgin c.1735 National Trust, Ascott
The Harnessing of the Horses of the Sun c.1731–1736 Giovanni Battista Tiepolo (1696–1770)

The Harnessing of the Horses of the Sun c.1731–1736 The Bowes Museum
Bearded Man 1740–1745 Giovanni Battista Tiepolo (1696–1770)

Bearded Man 1740–1745 The Courtauld, London (Samuel Courtauld Trust)
Saint Joseph with the Christ Child 1767 Giovanni Battista Tiepolo (1696–1770)

Saint Joseph with the Christ Child 1767 The Courtauld, London (Samuel Courtauld Trust)
The Finding of Moses early 1730s Giovanni Battista Tiepolo (1696–1770)

The Finding of Moses early 1730s National Galleries of Scotland: National
Zephyrus and Flora c.1750 Giovanni Battista Tiepolo (1696–1770)

Zephyrus and Flora c.1750 The Barber Institute of Fine Arts
Study of the Head of an Old Man Giovanni Battista Tiepolo (1696–1770)

Study of the Head of an Old Man The Schorr Collection
Satyr and Satyress c.1740 Giovanni Battista Tiepolo (1696–1770)

Satyr and Satyress c.1740 The Courtauld, London (Samuel Courtauld Trust)
Three River Gods c.1740–c.1745 Giovanni Battista Tiepolo (1696–1770)

Three River Gods c.1740–c.1745 The Courtauld, London (Samuel Courtauld Trust)
Holy Family with Saint Joseph Reading c.1757 Giovanni Battista Tiepolo (1696–1770)

Holy Family with Saint Joseph Reading c.1757 The Courtauld, London (Samuel Courtauld Trust)
Saint Paschal Baylon's Vision of the Eucharist 1767 Giovanni Battista Tiepolo (1696–1770)

Saint Paschal Baylon's Vision of the Eucharist 1767 The Courtauld, London (Samuel Courtauld Trust)
Virtue and Nobility Putting Ignorance to Flight c.1743 Giovanni Battista Tiepolo (1696–1770)

Virtue and Nobility Putting Ignorance to Flight c.1743 Dulwich Picture Gallery
Portrait of One of the Artist's Sons 1751–1753 Giovanni Battista Tiepolo (1696–1770)

Portrait of One of the Artist's Sons 1751–1753 The Courtauld, London (Samuel Courtauld Trust)
Jonah Commanded to Arise and Go into Ninevah (formerly 'Elijah in the Wilderness') c.1730 Giovanni Battista Tiepolo (1696–1770)

Jonah Commanded to Arise and Go into Ninevah (formerly 'Elijah in the Wilderness') c.1730 The Courtauld, London (Samuel Courtauld Trust)
Saint Roch c.1730–1735 Giovanni Battista Tiepolo (1696–1770)

Saint Roch c.1730–1735 The Courtauld, London (Samuel Courtauld Trust)
Martyrdom of Saint Clement c.1734–1739 Giovanni Battista Tiepolo (1696–1770)

Martyrdom of Saint Clement c.1734–1739 The Courtauld, London (Samuel Courtauld Trust)
Bishop and various heads Giovanni Battista Tiepolo (1696–1770)

Bishop and various heads Norfolk Museums Service
Angels tumbling in the sky 1750 - 1780 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Angels tumbling in the sky 1750 - 1780 Ashmolean Museum, Oxford
Study of a building with a vine on a trellis to the right Giovanni Battista Tiepolo (1696–1770)

Study of a building with a vine on a trellis to the right The Fitzwilliam Museum
An episode from the life of St. Patrick Giovanni Battista Tiepolo (1696–1770)

An episode from the life of St. Patrick The Fitzwilliam Museum
A crowd of Orientals (three-quarter length) Giovanni Battista Tiepolo (1696–1770)

A crowd of Orientals (three-quarter length) The Fitzwilliam Museum
The Holy Family 1753–1761 Giovanni Battista Tiepolo (1696–1770)

The Holy Family 1753–1761 Ashmolean Museum, Oxford
Caricature of a seated man 1754–1762 Giovanni Battista Tiepolo (1696–1770)

Caricature of a seated man 1754–1762 Ashmolean Museum, Oxford
Study of a building with a loggia at left, seen over a wall Giovanni Battista Tiepolo (1696–1770)

Study of a building with a loggia at left, seen over a wall The Fitzwilliam Museum
A view of the Duomo at Udine Giovanni Battista Tiepolo (1696–1770)

A view of the Duomo at Udine The Fitzwilliam Museum
Study of a climbing man, seen foreshortened holding a chisel Giovanni Battista Tiepolo (1696–1770)

Study of a climbing man, seen foreshortened holding a chisel The Fitzwilliam Museum
Man wearing a turban, seen from behind, facing right 1771–1774 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Man wearing a turban, seen from behind, facing right 1771–1774 The Fitzwilliam Museum
A young Moor 1757 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

A young Moor 1757 The Fitzwilliam Museum
Man with a dark beard, wearing a turban 1771–1774 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Man with a dark beard, wearing a turban 1771–1774 The Fitzwilliam Museum
An angel holding a spray of lillies, with three putti 1744 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

An angel holding a spray of lillies, with three putti 1744 The Fitzwilliam Museum
Old man wearing a cap and a coat with a wide collar 1771–1774 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Old man wearing a cap and a coat with a wide collar 1771–1774 The Fitzwilliam Museum
Old man holding a book 1757 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Old man holding a book 1757 The Fitzwilliam Museum
The satyr and his family 1743 Giovanni Battista Tiepolo (1696–1770)

The satyr and his family 1743 The Fitzwilliam Museum
Man wearing a turban 1771–1774 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Man wearing a turban 1771–1774 The Fitzwilliam Museum
The Virgin and Child with the Infant St John 1750–1762 Giovanni Battista Tiepolo (1696–1770)

The Virgin and Child with the Infant St John 1750–1762 Ashmolean Museum, Oxford
Old man wearing a cloak with a satyr's head on the clasp 1757 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Old man wearing a cloak with a satyr's head on the clasp 1757 The Fitzwilliam Museum
Man with long dark hair and beard 1771–1774 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Man with long dark hair and beard 1771–1774 The Fitzwilliam Museum
Old man wearing a fur hat 1771–1774 Giovanni Domenico Tiepolo (1727–1804) and Giovanni Battista Tiepolo (1696–1770)

Old man wearing a fur hat 1771–1774 The Fitzwilliam Museum
The loves of Rinaldo and Armida 1750–1754 Giovanni Battista Tiepolo (1696–1770)

The loves of Rinaldo and Armida 1750–1754 The Fitzwilliam Museum