How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
The main surfaces of this pen box – the top of the lid and the sides of the body – were painted by Isma'il with crowded scenes in which the principal actor is the eunuch Manuchihr Khan Mu'tamad al-Dawlah (d.1847), who rose to be one of the most powerful men in Iran under Fath 'Ali Shah and Muhammad Shah. The top of the lid shows a battle in progress. On the left Persian troops are drawn up in a square around their camp, in the middle of which Mu'tamad al-Dawlah is seated on a throne. The battle is in progress around the square, and on the right the enemy camp lies among irrigation canals and palm trees, outside the walls of a city. These events, which took place in 1257 AH (1841–1842), are described in the verses inscribed in white nasta'liq around the edges of the lid.
Title
Pen Box
Date
1266 AH (1849–1850)
Medium
papier-mâché body with lift-off lid, painted & varnished
Accession number
359
Work type
Sculpture