How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
The Birmingham-born John Walker has been recognized as one of Britain’s leading abstract painters since the 1960s. Much of his career has been spent in the United States, including a visiting professorship at Yale in 1989 and over twenty years teaching (1993–present) at Boston University. Walker became known for reinvigorating cubist collage, here, producing a collage effect with the heavily outlined shapes layered on top of one another. 'Collage,' Walker wrote, 'enables me to feel the structure while I’m doing the painting,' providing a set of prescribed limitations that allowed the artist to 'move in the painting.' This work was produced in the same year that Walker won first prize at the John Moores biennial exhibition at the Walker Art Gallery in Liverpool.
Title
Hannah's Blues, 1976
Date
1976
Medium
acrylic, chalk & gel on canvas
Measurements
H 243.8 x W 182.9 cm
Accession number
B2008.25
Acquisition method
gift of Mr & Mrs Gifford Phillips, Yale BA 1942
Work type
Painting