How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Buy a print or image licence
If you like this artwork you can support the collection by purchasing a reproduction as a framed OR unframed art print. We offer a selection of professionally made frames that will make your purchase look great in your home, office or other preferred setting.
Need a digital version for your site or publication? You can purchase a digital licence from Art UK and download an electronic copy of this reproduction.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
The Cornish period was important in Brangwyn’s development and this painting is perhaps the most fascinating of his Newlyn-style works.
At the beginning of 1888, he began this view of the construction of the outer harbour. It was a most unusual subject for an artist, comparable to an artist today deciding to paint workmen constructing a motorway. Neverthless, it was entirely in keeping with the ideals of William Morris, for whom both Brangwyn and Hemy had worked. The subject of manual labour was a theme Brangwyn would return to throughout his career.
The Cornish period was important in Brangwyn’s development and this painting is perhaps the most fascinating of his Newlyn-style works.
Title
Constructing South Pier, Mevagissey
Date
1888
Medium
oil on canvas
Measurements
H 51 x W 76 cm
Accession number
FAMAG:2006.16
Acquisition method
purchased with the assistance of the Heritage Lottery Fund, the Museums, Libraries and Archives Council/Victoria and Albert Museum Purchase Grant Fund and the National Art Collections Fund, 2006
Work type
Painting