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A three-quarter-length portrait to right in a grey velvet coat with looped gold braid detailing round the buttons, ending in an elaborate knot of sequins. The coat is lined with red silk and waistcoat and breeches are of the same material. White lace froths at the cuffs and collar. Smith wears a grey full-bottomed wig and leans on the plinth of a broken column, holding a telescope in his left hand. Through attention to detail and the use of rich fabrics, the artist reveals the status of the sitter. His taste for good living is implied by the open buttons of his waistcoat barely concealing his ample girth. When Smith was a junior lieutenant in the 'Gosport', 43 guns, in 1728, he achieved some notoriety by forcing a French corvette visiting Plymouth to salute him and dip her pennant on her departure.
The artist was born in Wales and from 1729 trained for six years as a portrait painter in London, under Thomas Wright. He had built up a relatively successful portrait practice by the 1740s but in 1750 he travelled to Italy, where his experiences inspired him to turn to landscape painting. It is for his subsequent work in this area that he is most famous, notably the fusion of classical composition with an incipient personal romanticism in his style of painting.
Title
Commodore Thomas Smith (1707–1762)
Date
c.1744
Medium
oil on canvas
Measurements
H 126 x W 102 cm
Accession number
BHC3032
Acquisition method
National Maritime Museum (Greenwich Hospital Collection)
Work type
Painting