How you can use this image

This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).

Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.

The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.

Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.

Notes

Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

A half-length portrait to left wearing captain's full-dress uniform, 1774–1787 and a white tie wig. Seated in a red chair with his left hand resting on his arm, the sitter confronts the gaze of the viewer. Abdy entered the service of the Hon. East India Company as a midshipman in the 'True Briton' on her voyage of 1750–1752. From 1753–1755, he was fourth mate of the 'Stafford'. He then transferred to the Royal Navy and commanded the 'Beaver', 14 guns, both in home waters and in the West Indies, 1761–1766. He was made a post captain in 1766 but did not serve again. In 1775, he succeeded his brother to the family baronetcy. Stuart was an American painter who was also active in England and Ireland. He was in London from 1775 until 1787 where early, in 1775, he entered the studio of Benjamin West, for whom he painted drapery and finished portraits.