- Artist: Dolci, Carlo, 1616–1686 Remove
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Carlo Dolci
1616–1686
(b Florence, 25 May 1616; d Florence, 17 Jan. 1686). Florentine painter. He was intensely devout and most of his paintings are of religious subjects, done in a cloyingly sweet and meticulously smooth style.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Salome with the Head of John the Baptist c.1660–1670 Carlo Dolci (1616–1686)Salome with the Head of John the Baptist c.1660–1670 Victoria and Albert Museum
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Salome c.1681–1685 Carlo Dolci (1616–1686)Salome c.1681–1685 Glasgow Museums Resource Centre (GMRC)
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The Adoration of the Magi c.1633–1634 Carlo Dolci (1616–1686)The Adoration of the Magi c.1633–1634 Glasgow Museums Resource Centre (GMRC)
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Saint Catherine of Siena c.1665–1670 Carlo Dolci (1616–1686)Saint Catherine of Siena c.1665–1670 Dulwich Picture Gallery
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The Penitent Magdalene 1650–1651 Carlo Dolci (1616–1686)The Penitent Magdalene 1650–1651 The Fitzwilliam Museum
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Sir John Finch FRS, FRCP (1626–1682) 1665–1670 Carlo Dolci (1616–1686)Sir John Finch FRS, FRCP (1626–1682) 1665–1670 The Fitzwilliam Museum
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Saint John the Baptist c.1645 Carlo Dolci (1616–1686)Saint John the Baptist c.1645 National Trust, Hatchlands
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Saint Christina of Bolsena c.1650–1655 Carlo Dolci (1616–1686)Saint Christina of Bolsena c.1650–1655 National Trust, Kedleston Hall and Eastern Museum
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Sir Thomas Baines FRS, FRCP (1622–1681) 1665–1670 Carlo Dolci (1616–1686)Sir Thomas Baines FRS, FRCP (1622–1681) 1665–1670 The Fitzwilliam Museum
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St Andrew Praying before His Martyrdom 1643 Carlo Dolci (1616–1686)St Andrew Praying before His Martyrdom 1643 Birmingham Museums Trust
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Man supporting a cross 1650 Carlo Dolci (1616–1686)Man supporting a cross 1650 Ashmolean Museum, Oxford -
Two studies of a child's right arm and a sketch of a child's face Carlo Dolci (1616–1686)Two studies of a child's right arm and a sketch of a child's face The Fitzwilliam Museum
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Ornamental design: urn and arabesques set in a niche Carlo Dolci (1616–1686)Ornamental design: urn and arabesques set in a niche The Fitzwilliam Museum
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Two studies of a right hand and forearm holding a stick Carlo Dolci (1616–1686)Two studies of a right hand and forearm holding a stick The Fitzwilliam Museum
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Profile to left of a child Carlo Dolci (1616–1686)Profile to left of a child The Fitzwilliam Museum
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Two ovals, the one on the left containing a half-length Allegory of Sincerity Carlo Dolci (1616–1686)Two ovals, the one on the left containing a half-length Allegory of Sincerity The Fitzwilliam Museum
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Two studies of trees, the bust of a woman below the one on the right Carlo Dolci (1616–1686)Two studies of trees, the bust of a woman below the one on the right The Fitzwilliam Museum
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Allegory of Sincerity 1829 Carlo Dolci (1616–1686)Allegory of Sincerity 1829 Ashmolean Museum, Oxford
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Woman on a donkey in a rocky landscape; two unfinished figures Carlo Dolci (1616–1686)Woman on a donkey in a rocky landscape; two unfinished figures The Fitzwilliam Museum
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Figure of a standing woman; a seated cleric, writing Carlo Dolci (1616–1686)Figure of a standing woman; a seated cleric, writing The Fitzwilliam Museum
