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Jean-Baptiste Carpeaux

1827–1875

(b Valenciennes, 11 May 1827; d Coubevoie, 11 Oct. 1875). The outstanding French sculptor of his period (also a painter, draughtsman, and etcher). He studied for ten years at the École des Beaux-Arts (where Rude was his main teacher), before eventually winning the Prix de Rome in 1854.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 20 artworks

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Susannah Surprised 1872 Jean-Baptiste Carpeaux (1827–1875)

Susannah Surprised 1872 Glasgow Museums Resource Centre (GMRC)
La defense de la patrie (The Town of Valencienes Repelling the Invader) c.1870 Jean-Baptiste Carpeaux (1827–1875)

La defense de la patrie (The Town of Valencienes Repelling the Invader) c.1870 Manchester Art Gallery
Antoine Vollon (1833–1900) 1873 Jean-Baptiste Carpeaux (1827–1875)

Antoine Vollon (1833–1900) 1873 Birmingham Museums Trust
Mask of an Oriental Girl 1850–1875 Jean-Baptiste Carpeaux (1827–1875)

Mask of an Oriental Girl 1850–1875 The Fitzwilliam Museum
Charles Gounod (1818–1893) 1873 Jean-Baptiste Carpeaux (1827–1875)

Charles Gounod (1818–1893) 1873 National Trust, Fenton House
Alexandre Dumas the Younger (1824–1895) after 1874 Jean-Baptiste Carpeaux (1827–1875)

Alexandre Dumas the Younger (1824–1895) after 1874 The Fitzwilliam Museum
Mischief (L'espiegle) Jean-Baptiste Carpeaux (1827–1875)

Mischief (L'espiegle) Manchester Art Gallery
La pêcheuse de vignots 1874 Jean-Baptiste Carpeaux (1827–1875)

La pêcheuse de vignots 1874 The Fitzwilliam Museum
Smiling Girl Jean-Baptiste Carpeaux (1827–1875)

Smiling Girl National Museum Cardiff
Alexandre Dumas the Younger (1824–1895) 1874 Jean-Baptiste Carpeaux (1827–1875)

Alexandre Dumas the Younger (1824–1895) 1874 Bristol Museum & Art Gallery
A seated figure, turned to left, in contraposto. After Michelangelo 1857 - 1858 Jean-Baptiste Carpeaux (1827–1875) and Michelangelo (1475–1564)

A seated figure, turned to left, in contraposto. After Michelangelo 1857 - 1858 Ashmolean Museum, Oxford
Bust of Alexandre Dumas the Younger (1824-95) 1874 Jean-Baptiste Carpeaux (1827–1875)

Bust of Alexandre Dumas the Younger (1824-95) 1874 The Fitzwilliam Museum
Flora crouching 1854 Jean-Baptiste Carpeaux (1827–1875)

Flora crouching 1854 Ashmolean Museum, Oxford
Charles Gounod (1818–1893) Jean-Baptiste Carpeaux (1827–1875)

Charles Gounod (1818–1893) The Fitzwilliam Museum
Six nude figures, supporting a column. After Michelangelo 1857 - 1858 Jean-Baptiste Carpeaux (1827–1875) and Michelangelo (1475–1564)

Six nude figures, supporting a column. After Michelangelo 1857 - 1858 Ashmolean Museum, Oxford
A group of male nudes, turned to left, with other figures above and below. After Michelangelo 1857 - 1858 Jean-Baptiste Carpeaux (1827–1875) and Michelangelo (1475–1564)

A group of male nudes, turned to left, with other figures above and below. After Michelangelo 1857 - 1858 Ashmolean Museum, Oxford
A bearded male nude, turning to left, holding a key. After Michelangelo 1857 - 1858 Jean-Baptiste Carpeaux (1827–1875) and Michelangelo (1475–1564)

A bearded male nude, turning to left, holding a key. After Michelangelo 1857 - 1858 Ashmolean Museum, Oxford
Four figures, flying diagonally to lower right. After Michelangelo 1857 - 1858 Jean-Baptiste Carpeaux (1827–1875) and Michelangelo (1475–1564)

Four figures, flying diagonally to lower right. After Michelangelo 1857 - 1858 Ashmolean Museum, Oxford
A woman with a mirror seated in profile facing right with four putti, one holding an inverted mask before his face 1859 Jean-Baptiste Carpeaux (1827–1875) and Michelangelo (1475–1564)

A woman with a mirror seated in profile facing right with four putti, one holding an inverted mask before his face 1859 Ashmolean Museum, Oxford
Charles François Gounod (1818–1893) 1873 (?) Jean-Baptiste Carpeaux (1827–1875) (after)

Charles François Gounod (1818–1893) 1873 (?) The Royal Society of Musicians of Great Britain