“Scholar, artist and spiritual teacher”, born in London, who early developed an interest in making things, experimenting with plaster. After attending Wimbledon School of Art King signed up with Guidici, the monumental stonemasons, helping restore the House of Commons. He also worked for Sir Charles Wheeler and moved to the Abbey Art Centre, started by the collector and founder of the Berkeley Galleries, William Ohly, as an artists’ commune. While at Abbey King became employed part-time by Henry Moore, initially on the fourth component of the Time-Life frieze in Bond Street, which led to regular work for Moore. In 1953 King was appointed by Frank Martin as a part-time sculpture lecturer at St Martin’s School of Art, recommended by Anthony Caro.
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King had a first solo show at Victor Musgrave’s Gallery One in 1954. He was awarded a Boise Travelling Scholarship and a grant from the British Film Institute to make an animated film. Difficulties in King’s personal life led to experiment in his work, some of which reflected this disturbed state. A suicide attempt led to a period in hospital, shortly after which he died in a motorcycle accident. King’s work was also shown in galleries in Paris and Rome; he was represented at the Holland Park Exhibition, 1957; Middelheim Exhibition, 1959; and in 1960 his oak Figure with Cloak was shown at Battersea Park. The family retained a sizeable collection of King’s work, which was also held by the Arts Council, British Council and Contemporary Art Society. A collection of King’s sculptures and coloured, jazz-influenced drawings was offered by Rosebery’s, West Norwood, in a 2002 sale. His son was the artist and teacher Mike King.
Text source: 'Artists in Britain Since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company)