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How a statue of Charles I was restored and resurrected in Trafalgar Square 28 March 2024, Timothy Revell and HENI Talks
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Not bleak, but bleary: the politics of alienation within the art of Llanelli 28 March 2024, Joshua Jones
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Art UK public sculpture annual report 2023 27 March 2024, Katey Goodwin and Tracy Jenkins
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Erchyll: depictions of bodies under duress in the collection of STORIEL, Bangor 27 March 2024, David Cleary
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Bet Low: painting the sublime in the Highlands and Islands 26 March 2024, Lottie Whalen
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The Davies sisters: collecting art for Wales 26 March 2024, Beth McIntyre
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Intimate moments of salvation: Annunciation scenes through the ages 25 March 2024, Adam Wattam
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Seren Morgan Jones: reimagining lost Welsh women 22 March 2024, Candy Bedworth
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David Shrigley: the draughtsman's contract 21 March 2024, Alexandra Pereira
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Layton Hylton: drawing inspiration from Stoke-on-Trent's public sculpture 21 March 2024, Katey Goodwin
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The real George Villiers: social climber, art patron and favourite to King James 20 March 2024, Gavia Baker-Whitelaw
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Bob and Roberta Smith RA: art teaches young people to really look at the world 19 March 2024, Gemma Briggs
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Ray Howard-Jones: intrepid artist of war, mosaics, islands and the wild coast of Wales 19 March 2024, David Moore
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Art and slate: the slate landscape of north-west Wales 18 March 2024, Mari Griffith
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Why artists copy: a history of drawing the masters 15 March 2024, George Bothamley
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Ruffs, lace and cravats: the power at play in men's neckwear 14 March 2024, Jon Sleigh
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The Apollo Pavilion: Victor Pasmore's optimistic vision for Peterlee 14 March 2024, Stephen Parnell and HENI Talks