Harmony in White and Blue 1860s
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 209.5 x W 87.5 cm
Leeds Museums and Galleries

Miss Rosalind Birnie Philip Standing c.1897
James Abbott McNeill Whistler (1834–1903)
Oil on panel
H 23.4 x W 13.7 cm
The Hunterian, University of Glasgow

The Artist's Niece 1849
James Abbott McNeill Whistler (1834–1903)
Oil on paper
H 8 x W 7.5 cm
The Hunterian, University of Glasgow

Harmony in Blue and Violet: Miss Finch c.1885
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 191.1 x W 88.9 cm
The Hunterian, University of Glasgow

Study of Draped Figures c.1864–1865
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 39.7 x W 57.5 cm
The Hunterian, University of Glasgow

Rose et argent: La jolie mutine c.1890
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 190.5 x W 89.5 cm
The Hunterian, University of Glasgow

The Rose Scarf c.1890
James Abbott McNeill Whistler (1834–1903)
Oil on panel
H 25.8 x W 18 cm
The Hunterian, University of Glasgow

Harmony in Red: Lamplight 1884–1886
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 190.5 x W 89.5 cm
The Hunterian, University of Glasgow

The Blue Girl: Connie Gilchrist c.1879
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 188.9 x W 88.6 cm
The Hunterian, University of Glasgow

A Balustrade
John Singer Sargent (1856–1925)
Oil on canvas
H 55 x W 71 cm
Ashmolean Museum, Oxford

Gertrude Vernon, Lady Agnew of Lochnaw (1864–1932) 1892
John Singer Sargent (1856–1925)
Oil on canvas
H 127 x W 101 cm
National Galleries of Scotland

Miss Katherine Elizabeth Lewis (d.1961) 1906
John Singer Sargent (1856–1925)
Oil on canvas
H 88.2 x W 72.4 cm
Birmingham Museums Trust

Claude Monet Painting by the Edge of a Wood ?1885
John Singer Sargent (1856–1925)
Oil on canvas
H 54 x W 64.8 cm
Tate

Study of Mme Gautreau c.1884
John Singer Sargent (1856–1925)
Oil on canvas
H 206.4 x W 107.9 cm
Tate

Blue and Gold – A Sketch of a Screen (?) 1871–1872
James Abbott McNeill Whistler (1834–1903)
Chalk & pastel on brown paper
H 28.3 x W 12.3 cm
The Fitzwilliam Museum

Study of a Standing Woman, Seen from Behind 1870–1873
James Abbott McNeill Whistler (1834–1903)
Black & white chalk on brown paper
H 28.9 x W 18.2 cm
The Fitzwilliam Museum

Seated Lady, Reading 1871–1873
James Abbott McNeill Whistler (1834–1903)
Charcoal & black chalk on brown paper
H 23.5 x W 19.1 cm
The Fitzwilliam Museum

Study for 'Harmony in Grey and Peach Colour' c.1873
James Abbott McNeill Whistler (1834–1903)
Watercolour & chalk on paper
H 21.1 x W 11.8 cm
Manchester Art Gallery

Elinor Leyland (1861–1952) c.1873
James Abbott McNeill Whistler (1834–1903)
Black & white chalk, moistened in areas, on thick brown wove paper
H 28 x W 18.4 cm
The Courtauld, London (Samuel Courtauld Trust)

A Girl in a Long Blue and Red Dress 1873–1876
James Abbott McNeill Whistler (1834–1903)
Pastel on buff paper
H 25 x W 14.6 cm
The Fitzwilliam Museum

Study of a Standing, Draped Female figure, Hand at Chin 1871–1873
James Abbott McNeill Whistler (1834–1903)
Black & white chalk with pastel on brown paper
H 28 x W 17.1 cm
The Fitzwilliam Museum

The Dancing Lesson
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 18.2 x W 14 cm
Sheffield Museums

Study for a Portrait of Miss Cicely Alexander c.1873
James Abbott McNeill Whistler (1834–1903)
Pastel on buff paper
H 14 x W 7 cm
The Fitzwilliam Museum

Harmony in Coral and Blue: Miss Finch c.1885
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 191 x W 89.5 cm
The Hunterian, University of Glasgow

Unfinished Study of a French Girl c.1895–1896
James Abbott McNeill Whistler (1834–1903)
Oil on canvas
H 62.9 x W 46.9 cm
The Hunterian, University of Glasgow

The Pink Tablecloth c.1924–1925
Henri Matisse (1869–1954)
Oil on canvas
H 60.3 x W 81 cm
Glasgow Life Museums