Dumfries and Galloway is Scotland's southwestern region. It is an area that is rich in history and culture, and this has been captured by artists throughout the years. This curation is an attempt at demonstrating the variety of art, artists, and subject matter within Dumfries and Galloway. It moves from landscapes to people.

21 artworks
  • A View of History

    Joseph Watson painted scenes around Dumfries. Here, Kingholm Quay is almost unrecognisable as the major port it was in the nineteenth century. His artwork is a useful historical record of what Dumfries used to look like.

    Kingholm Quay, Dumfries, 1849
    Joseph Watson (1808–1878)
    Oil on board
    H 21 x W 34.2 cm
    Dumfries and Galloway Council
    Kingholm Quay, Dumfries, 1849
    Image credit: Dumfries and Galloway Council

  • A View of History

    Robert George Kelly was an Irish born painter, who lived in Stranraer and painted scenes of Galloway, before moving to England. This depiction of the village of Sandhead in the Rhins of Galloway, shows it as a thriving small fishing village.

    Sandhead, Luce Bay 1850s–1860s
    Robert George Kelly (1822–1910)
    Oil on canvas
    H 15.8 x W 26.1 cm
    Dumfries and Galloway Council
    Sandhead, Luce Bay
    Image credit: Dumfries and Galloway Council

  • A View of History

    George Wright was a late Victorian-Edwardian landscape artist from Annan. Here he has painted a traditional method of salmon fishing in the Inner Solway, where nets erected between poles would trap fish moving with the tides.

    Stake Nets on the Solway
    George Wright (1851–1916)
    Oil on board
    H 18.5 x W 31 cm
    Dumfries and Galloway Council
    Stake Nets on the Solway
    Image credit: Dumfries and Galloway Council

  • A View of History

    Threave Castle is a major landmark in the Stewarty area of Dumfries and Galloway. Formerly a fortified house, built in the fourteenth century on an island in the River Dee by Archibald the Grim, it is now a picturesque ruin. The surrounding area is a nature reserve.

    Threave Castle* 1881
    M. M. Harper
    Oil on canvas
    H 50 x W 75.2 cm
    National Trust for Scotland, Threave Estate
    Threave Castle*
    Image credit: National Trust for Scotland, Threave Estate

  • Changing Subject

    Edward Atkinson Hornel owned Broughton House and Garden in Kirkcudbright, which is now a National Trust for Scotland property. He was a member of The Glasgow Boys group of artists and held a continuing interest in the art and cultures of Asia. In contrast to the earlier landscapes, the focus of this painting is on a small detail, the flower in the waterlilies.

    Waterlilies 1899–1912
    Edward Atkinson Hornel (1864–1933)
    Oil on canvas on panel
    H 60.5 x W 50.8 cm
    National Trust for Scotland, Broughton House & Garden
    Waterlilies
    Image credit: National Trust for Scotland, Broughton House & Garden

  • Changing Subject

    Adam Bruce Thomson is one of the Edinburgh School group of artists. His vividly coloured landscape contains lots of suggestion of movement, even in the absence of the farm-workers who have created the stooks of wheat. In contrast to the earlier landscapes there is a strong sense of the changing seasons in this painting.

    Harvesting in Galloway
    Adam Bruce Thomson (1885–1976)
    Oil on canvas
    H 55.9 x W 76.2 cm
    National Trust for Scotland, Culzean Castle, Garden & Country Park
    Harvesting in Galloway
    © the artist's estate. Image credit: National Trust for Scotland, Culzean Castle, Garden & Country Park

  • Changing Subject

    Charles Oppenheimer moved to Kirkcudbright in 1908 and lived there until he died in 1961. He painted places around him, though his natural landscapes often contain some evidence of human presence. In this painting, Oppenheimer shows the building of a dam as part of the Galloway hydro-electric power scheme of the 1930s. The title, 'Art in Concrete' suggests his awe and fascination with these structures, elevating them to the level of art in his eyes.

    Art in Concrete c.1933
    Charles Oppenheimer (1875–1961)
    Oil on canvas
    H 99.2 x W 129.3 cm
    Harbour Cottage Trust
    Art in Concrete
    © the copyright holder. Image credit: Harbour Cottage Trust

  • Changing Subject

    This landscape is unusual in Oppenheimer's works for being totally natural. But it demonstrates his skill and sensitivity as a painter with its delicate depiction of light and water. The inspiration for this painting probably came from Oppenheimer's hobby of fishing.

    A Sun-Dappled Pool
    Charles Oppenheimer (1875–1961)
    Oil on canvas
    H 70 x W 90.3 cm
    Dumfries and Galloway Council
    A Sun-Dappled Pool
    © the copyright holder. Image credit: Dumfries and Galloway Council

  • The Modern View

    Archie Sutter Watt was a prominent local painter in the twentieth century, as well as a teacher at schools throughout the region. Watt was prominently involved in the local art community as a founder and organiser of societies, as well as being popularly exhibited. His choice of landscapes and colour is deeply evocative of Dumfries and Galloway.

    Solway Night 2003
    Archie Sutter Watt (1915–2005)
    Oil & colour on paper
    H 52.6 x W 73.2 cm
    NHS Dumfries and Galloway
    Solway Night
    © the artist's estate. Image credit: NHS Dumfries and Galloway

  • The Modern View

    Teresa Durà Branson moved to Kirkcudbright in 1970 and lived there until she died in 2016. In this landscape painting she captures the lively, fast moving light of the Stewartry coast, without showing the coastline.
    Kirkcudbright is a popular place for artists to live, and is known as 'the artists town'. Because of this it has been painted many times, often showing the village at the water's edge or the river.

    Kirkcudbright Landscape
    Teresa Durà Branson (1935–2016)
    Oil on canvas
    H 49.5 x W 59.6 cm
    Dumfries and Galloway Council
    Kirkcudbright Landscape
    © the copyright holder. Image credit: Dumfries and Galloway Council

  • The Modern View

    John Threlfall is a contemporary painter of nature, landscapes and birds. The subject matter and title of Light Flight is reminiscent of the works of Sir Peter Scott, a conservationist known for his work with wild geese, culminating in the founding of the Wildfowl and Wetlands Trust, who manage a reserve at Caerlaverock. Threlfall, however, is a more skilled painter than Scott. Threlfall captures the changing weather of the Solway exceptionally in this evocative painting.

    Late Flight
    John Threlfall (b.1958)
    Oil on board
    H 46.2 x W 68.5 cm
    NHS Dumfries and Galloway
    Late Flight
    © the artist. Image credit: NHS Dumfries and Galloway

  • The Modern View

    In this painting by Alexander Rhynd Robb, we see the vividness of the Nithsdale landscape on a sunny winter's day. The vibrant birch trees on the hill contrast with the rigid conifer tree on the flat farmed landscape. It shows a more modern style of landscape painting, perhaps influenced by Adam Bruce Thomson's Harvesting in Galloway in its use of bold colours.

    Nith Valley
    Alexander Rhynd Robb (b.1950)
    Oil on canvas
    H 58.6 x W 74.2 cm
    NHS Dumfries and Galloway
    Nith Valley
    © the artist. Image credit: NHS Dumfries and Galloway

  • A Modern Style

    Rosemary Gascoyne moved to Galloway in 1989, after having studied for a degree in fine art in her 40s. Her work demonstrates a bold use of colour and light and is unconstrained by traditional attempts at representation.

    Kitchen in Daylight 1981
    Rosemary Gascoyne (1936–2012)
    Oil on canvas
    H 167.5 x W 102 cm
    Dumfries and Galloway Council
    Kitchen in Daylight
    © the copyright holder. Image credit: Dumfries and Galloway Council

  • The People of the Place

    Robert Burns was one of Dumfries's most well-known and famous citizens. Though born in Ayrshire, he wrote many of his best-loved and most famous works in his time at Ellisland farm, just outside Dumfries, and at two properties within the town. This portrait is different from the widely known depiction, showing more of the body, and with a perhaps impatient expression on his face.

    Robert Burns
    Alexander Nasmyth (1758–1840) (after)
    Oil on canvas
    H 110.8 x W 85 cm
    South Ayrshire Council
    Robert Burns
    Image credit: South Ayrshire Council

  • The People of the Place

    Jean Armour was Robert Burns's wife, a popular and well-known figure in the community. After Burns's early death in 1796, Armour lived until 1834. Together they had 9 children, 3 of whom survived into adulthood.

    Jean Armour Burns (Bonnie Jean) (1765–1834)
    Thomas Corsan Morton (1859–1928)
    Oil on canvas
    H 73.4 x W 60.8 cm
    Dumfries and Galloway Council
    Jean Armour Burns (Bonnie Jean) (1765–1834)
    Image credit: Dumfries and Galloway Council

  • The People of the Place

    Robert Burns wrote 'Tam o' Shanter' while living at Ellisland Farm, a few miles northwest of Dumfries. Its popularity as a story has seen it turned into all sorts of decorative objects.

    Scene from 'Tam o' Shanter': Tam on a White Horse
    T. Dunwell
    Oil on canvas
    H 19 x W 24.4 cm
    South Ayrshire Council
    Scene from 'Tam o' Shanter': Tam on a White Horse
    Image credit: South Ayrshire Council

  • The People of the Place

    Thomas Carlyle was an influential thinker in the nineteenth century. He was born in Ecclefechan, in the east of the region and became a mathematician, a philospher, an essayist and a historian. The house he was born in is now a National Trust for Scotland property.

    Thomas Carlyle (1795–1881) 1875
    Robert Inerarity Herdman (1829–1888)
    Oil on canvas
    H 68 x W 57.9 cm
    Dumfries and Galloway Council
    Thomas Carlyle (1795–1881)
    Image credit: Dumfries and Galloway Council

  • The People of the Place

    This portrait is of Jessie Marion King, one of The Glasgow Girls group of artists. She moved to Kirkcudbright in 1915 and stayed there until she died in 1949. As well as producing her own art, she taught artists in Kirkcudbright and was an integral part of the town's developing reputation as a place for artists to live, work and study in.

    Jessie M. King 1949
    Lena Alexander (1899–1983)
    Oil on canvas
    H 89.5 x W 69 cm
    Dumfries and Galloway Council
    Jessie M. King
    © the copyright holder. Image credit: Dumfries and Galloway Council

  • The People of the Place

    Cecile Walton lived in Kirkcudbright at the end of her life, although she visited the town throughout her life. It was in Kirkcudbright she studied under Jessie Marion King. Walton was the daughter of E. A. Walton, one of the 'Glasgow Boys', though she became part of the 'Edinburgh School'.

    Irene as Cinderella
    Cecile Walton (1891–1956)
    Oil on canvas
    H 37.5 x W 36.7 cm
    Dumfries and Galloway Council
    Irene as Cinderella
    © the artist's estate / Bridgeman Images. Image credit: Dumfries and Galloway Council

  • The People of the Place

    Ethel Susan Graham Bristowe lived in Balmaclellan. Castle Douglas art gallery was her bequest to Galloway. Bristowe's paintings were predominantly still lifes, mostly with flowers and figurines. This, a portrait of a woman smelling a cutting of honeysuckle, is an unusual example of her art.

    Lady with Honeysuckle 1930s
    Ethel Susan Graham Bristowe (1862–1952)
    Oil on canvas
    H 65 x W 58.4 cm
    Dumfries and Galloway Council
    Lady with Honeysuckle
    Image credit: Dumfries and Galloway Council

  • The People of the Place

    Vera Alabaster spent the last 14 years of her life in Kirkcudbright, where she produced portraits, still life and landscape paintings. Her portraiture has an exceptional use of light and she is particularly talented at capturing expressions.

    Girl Reading
    Vera Alabaster (1889–1964)
    Oil on canvas
    H 62.3 x W 56 cm
    Harbour Cottage Trust
    Girl Reading
    © the copyright holder. Image credit: Harbour Cottage Trust