How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
'Leviathan' is an ambitious ten-part film cycle conceived and directed by artist Shezad Dawood, the first two episodes (Ben and Yasmine) premiered at the 57th Venice Art Biennale and the third episode (Arturo) was shot on location in and around Venice. Episode 1 of the cycle, Ben was commissioned by University of Salford Art Collection and Leviathan – Human and Marine Ecology, with support from The Contemporary Art Society. The film is a visual feast of found footage, carefully edited with new film and images which are set against spoken word (almost poetry) and accompanied by a powerful soundtrack. Ben, the narrator of the film, recalls childhood memories of visiting his marine biologist father’s place of work, The Natural History Museum in London.
Title
Leviathan Cycle, Episode 1: Ben
Date
2017
Medium
single channel HD video, colour, stereo 5.1, 16:9
Accession number
US2017-09
Acquisition method
acquired by the University of Salford Art Collection after being co-commissioned by University of Salford Art Collection and Leviathan – Human and Marine Ecology, with support from The Contemporary Art Society
Work type
Digital art