How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
In this portrait, Jones, with dark hair and a white beard, wearing a skull-cap, looks directly towards the viewer. This is thought to be a study for the half-length portrait at Chiswick House. Even allowing for transparency of paint layers due to their age, parts only appear sketched, most notably in the cap and the bottom left corner. It is likely Dobson was originally working on a slightly larger canvas, which was later cut down to remove unfinished or unpainted areas as acceptably as possible. Inigo Jones was celebrated as a designer of entertainments for the courts of James I and Charles I but his posthumous reputation is based on his architectural work. He was one of the first Englishmen to make a detailed study of the buildings of ancient Rome and of the works of the Italian classical architects of the Renaissance, particularly Andrea Palladio.
Dobson was of impoverished gentlemanly background, and had to earn his living by painting but fortunately had extraordinary talent as a portraitist in less than full-length formats (which were not his strength). Though his career was short, and its early part overshadowed by van Dyck, he became court painter on the latter's death in 1641. He was with Charles I in Oxford in 1642 during the Civil War and between then and his death he painted many of the Royalists. Although he also painted the royal children he does not appear to have painted the king. This portrait may itself have been painted at Oxford.
Title
Inigo Jones (1573–1652)
Date
c.1642
Medium
oil on canvas
Measurements
H 36.9 x W 30.5 cm
Accession number
BHC2809
Work type
Painting